Tuesday, November 07, 2006

The cottage



In the early fall of 1978 I packed a two year old and the essentials of life into a Morris Minor Traveller and started the drive down the motorway from London to Upottery in Devon. I was about five or six months pregnant. The moving truck would arrive a week later and in the interim I stayed at a bed and breakfast in Chard in Somerset with my daughter. My husband at the time was travelling somewhere in the world as the oil industry took him away for about nine months out of twelve.

I had leased a cottage in a village in Devon, wanting to escape to the countryside after the bustle of London. Even on the edge of London, the activity level, noise and crime pushed its way out and affected how I lived. It seems that Lord Sidmouth had the same idea about one hundred and thirty years before me and I was headed to the same village as he was - with ties to the same land as well. All without my knowledge of the history that went before me.

Upottery lies high up the beautiful, pastoral Otter valley, between two great fingers of the Blackdown Hills and has now been declared a area of natural beauty. The manor, together with that of Rawridge across the river, was bought by Dr. John Addington of London in the later years of the 18th century. His son, Henry Addington, Speaker of the House of Commons, Prime Minister 1801-4, and later 1st Viscount Sidmouth, built a mansion and occasionally resided here. One cannot imagine a more complete change than this from the cares of London and the political world. The present Manor House was built about 1845.

I discovered the tiny village of Upottery after many wrong twists and turns on narrow country lanes. I moved to Manor Cottage which was an old thatched cottage, originally a tied cottage most likely for the Manor House and farm. It was a classic old house with uneven walls, very low ceilings and original slate floors. An AGA was the only form of heat aside from a portable electric fire and a fireplace in the living room.

To gain access, I had to meet 'the Colonel' and his wife and run the gamut of questions round a kitchen table surrounded by the remains of their teatime with a large sticky flytrap hanging overhead. I remember distinctly keeping one eye on the flytrap, fearing that one of the buzzing trapped flies would extricate itself from the sticky mass and fall onto the plate of sandwiches or cakes below.

Later that evening the Colonel's daughter came by to see that I was settled. She was an actress who mostly stayed in London - I forget her name - and judging by the lack of credits to her career, so did most people. She was intense in an irritating kind of way with probing questions that disturbed me. I had started to wonder quite what I had let myself in for there.

But it turned out mostly for the better. Life in the little thatched cottage had some unique aspects and village life was friendly. Attached to the cottage was a long building, known locally as the Justice Hall. It was where justice was handed out to servants of the Manor House supposedly, but in those days was accessible through a door from the cottage kitchen. The room was large with high windows and wooden floors. Along one wall was a very large inglenook fireplace and the only other piece of furniture was a dolls house that stood as tall as I am and that could be opened like a door to look inside. There was no furniture or dolls inside, but it always fascinated me and my daughter. On rainy days when her energy levels surpassed mine, I would take her into the Justice Hall and let her run laps around the room while I explored the dolls house. Unfortunately I have no photos of that space or the dolls house, only in memories in my head. Perhaps I'll translate those into drawings one day.

Monday, November 06, 2006

Black lab update


I managed a little more work on the dog portrait tonight. Its a work in progress for a group that I moderate and will be a marketing piece when finally finished unless I find a home for it before then.

I've added some more layers of blues, purples and greys with a bit of pink and henna to add warmth to the fur. Its a slow process and takes time.

The nnose isn't quite right yet, so I'll concentrate on that and get the shading right before I go much further. Its all still at the ugly phase and I'm working hard to see past that into the future.

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Sunday, November 05, 2006

Work in progress






I began a drawing of a black Labrador dog today. it will be completed in coloured pencil - Prismacolors - on Stonehenge paper.

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Here is the initial drawing and the first two stages of progress. I wil post more as it moves along. Its rather at the 'ugly' stage about now so I try hard not to see that in case I turn it into a firestarter!

Finding myself



Today has been one of frustration for me. Problems with a art forum that I was moderating continue to reinforce my wonder at human nature and its frailties. Personality clashes and egos abound, so I have withdrawn and left them to it.

I am doodling more than drawing today and this is the result. A small graphite drawing of an old friend. I found a very old set of paints in a box the other day. Most are dried up, crumpled tubes that would take a vicegrip to remove the caps. But there is something appealing about them - the shapes, the reflections of light.

I find myself in them. I find the past and remember old paintings. I can't throw away old friends.

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Friday, November 03, 2006

Solitude on Loan


People are always so boring when they band together. You have to be alone to develop all the idiosyncrasies that make a person interesting.

- Andy Warhol

I need solitude to draw or paint. I need to be in a room by myself, preferably a house by myself. Interruptions are frustrating and annoying and make me lose my train of thought or come out of that lovely place that I've escaped to where the rest of the world disappears and just what I am creating is in my mind. It is almost as if I become part of the drawing. It truly does have a sort of trance-like effect.

I came across an article in the LA Times about a couple who will open their house to writers to provide that much needed solitude to create. I like that idea. Laguna Beach here I come. I already have the beach rocks.

This is another study of beach pebbles collected from Ferryland on the southern shore
I can't resist picking up pebbles and shells or the prickly remains of sea urchins. Their brittle spines crumble at the slightest touch, like chocolate sprinkles at the first bite of a cupcake. Phantom crabs, their contents long eaten by seagulls or dessicated by the wind and sun surface on the cool grey pebbles. They are ghosts of the sea, along with the urchins. Now fragile and brittle with time and the elements, their colours seem false as if something long dead should not have the glow of life still about it.

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Thursday, November 02, 2006

Colours

Some of the trees in the garden are reluctant to give up their leaves while others are waiting for a hint of a breeze the shake them loose. This mix of maple and mountain ash trees surround the entrance to the fenced in section of the garden at the back of the house. Its a little oasis in a large area and was constructed for the dog to keep him contained from running in the woods and getting lost or hurt.

I liked the way the leaves and branch draped almost like arms and the mix of colours was so appealing, leading the eye to the hydrangea in the background. The early morning light catching the tops of the golden trees looks wonderful and highlights the colours so well.

I am hoping to catch up on some drawing as while teaching and with a busy few weeks at work, I haven't had much time for anything more than simple sketches. I rediscovered a sketch that I had started a year ago. It was done in pen and ink, a stipple technique, which while time consuming, is very effective. Now if I can only find the reference image again, I will try completing it.

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