Wednesday, December 17, 2014
Anyone who knows me, knows that I constantly reinforce the need for artists to have good drawing skills. Often people want to jump right into painting without that rudimentary framework to guide a piece. While not all paintings need a very detailed drawing, there are few that don't benefit from it.
Time is always a factor for people, especially in today's society where busyness is the order of the day. Its almost as if people try to 'out boast' each other as to how busy they are and how many things they can juggle in the course of a day. So drawing gets dumped into the "I'm too busy" category and becomes neglected.
To show you that it doesn't take a huge investment in time to hone drawing skills, I'm creating a series called Draw 5. This shows how much you can actually put down on paper in just five minutes a day.. And you know you have five minutes a day somewhere in those 24 hours, don't you? Add those captured minutes over a week, expand on them when you can and you'll see a difference in your drawing skills, I promise.
Monday, December 15, 2014
First Snow - SOLD
5" x 7" oil on panel
After the first snowfall I drove to a rural gallery to pick up a couple of paintings that hadn't sold in the summer season. The snow lay heavily in the trees and on the land and it was picture perfect. Out of the corner of my eye I saw some boats pulled up on the grass for the winter and with their dusting of snow I knew there was a painting in there.
Registration is open as of today, December 15th, for my 2015 workshops in drawing and painting. I'm using a separate online registration system that provides one stop shopping for details, downloads and payment. Full details of workshops and registration is available at the link below.
PS Workshops make fabulous gifts!
Saturday, December 13, 2014
After a busy year of teaching art in my home studio, I am continuing by offering a series of art workshops in 2015 which has something for everyone from beginners to experienced artists. I have learned as much as students do by teaching and workshops are tweaked to provide the best experience for participants based on feedback and working in the classroom. The need for learning traditional techniques in a variety of mediums is always present and my workshops emphasize classical methods of drawing and painting, providing a strong grounding to help build good art.
I am offering five workshops types with available dates throughout the year, from March to December.2015 workshops range from 4 hour intensives to 3 day master classes
- Colour Theory - 4 hours
- Introduction to Classical Drawing - 2 four hour sessions
- Introduction to Palette Knife Painting - 4 hours
- Drawing Pet Portraits - 2 days
- Palette Knife Painting - Boats and Water - 3 days
Registration for 2015 workshops opens on December 15th, but if you're on my mailing list, you already have access to the workshop link and can pre-register. You can join my mailing list and receive monthly mailings of Studio News by clicking on the link on the right side of this page.
You can view the full listing of workshops on my website and the link to open registration will be posted here as well as on my website, Facebook and Twitter pages on the 15th.
Sunday, December 07, 2014
My December Studio News will be distributed later today and it is packed with gifts for mailing list subscribers. Its my way of saying thank you to everyone who has supported me over the last year.
I will be having a Christmas Giveaway just for mailing list subscribers. Four people will win art prizes of original art and prints, art cards or a giclee. Drawings for the first two giveaways will take place on December 24th, with another winner on December 25 and the final on December 26, Boxing Day. All you need to do to enter is be a current mail list subscriber. If you are not on the mailing list already, you can sign up at the link on the right or on my website www.jeanettejobson.com or my Facebook page.
If you've signed up, you'll also receive a discount code for my 2015 series of 3 day Palette Knife Painting workshops - Painting Boats and Water and have a chance to pre-register before registration opens on December 15th.
There is lots of information jammed into this Studio News edition that I'd love to share with you - Draw 5, FAQs about my work, a special Christmas card just for you...oh and those gifts...
Wednesday, December 03, 2014
White and Silver - SOLD
5" x 7" oil on panel
White is such an interesting colour to paint. The purity of it when examined is not pure at all. There is no single blanket of white. It is a Joseph's coat of many colours that reflect the environment around it so that the use of a pure white such as titanium white in paint is left as an accent rather than a predominant hue.
This still life of a ceramic and silver ornament is made up of many colour: orange, yellow, violet, blue, grey. But the ornaments still read as white to the viewer. Try putting a white object on a plain white surface and see it pick up colours from its surroundings. Put a sheet of coloured paper under the white object or sit it next to something colourful and watch it change again, like a chameleon.
White can become warm or cool depending on its surroundings such as in this painting “The Two Sisters” by Joaquin Sorolla. The sunshine gives a warm yellow cast to the dress which we instantly know is white, yet the blue of the sea provides cool whites depicting reflections and wave caps.
Saturday, November 29, 2014
I've been travelling, which of course, interrupts painting progress. Even though I can't access my studio, my brain continues to plot and plan and paint and I find small vignettes of life to sketch in my journeys and available time.
Airports and airplanes are perfect for people watching and sketching and I always take out my sketchbook to pass time and capture faces and gestures.
Heading to Montreal, I had this unique combination of gate and airplane seat number. For anyone superstitious, it could be worrying. But a smooth, uneventful flight as expected.
Saturday, November 22, 2014
Gold Mercury - SOLD
5 x 7 oil on panel
And still more mercury glass!
Its more about the challenge of painting reflections than the actual shape of a subject for me. The light is likely what draws me to paint water and boats. Reflected light and shadow need careful observation and consideration before putting down a single palette knife stroke. Using a fractured stroke in areas, I drag wet paint across the picture plane, pulling colour from one area into another, creating lost edges and movement.
I probably look more than I paint in fact - like the carpenter's saying "Measure twice, cut once." Its similar for artists. The longer you spend observing and taking in visual information on shape, colour and value, the better chance you have for success than if you just slap down paint then try to correct in on the support. That's when mud and frustration happen.
You can find more of my work on my website Jeanette Jobson Fine Art, my blog, Illustrated Life and on Facebook and Twitter. Stop by and say hi, I'd love to hear from you!