Starting from scratch

Ages ago I bought a round gallery canvas.  I don’t know what possessed me to as I had no idea of what I’d paint on it.  Until today.

I was thinking of fish again and the sketch of what I wanted appeared under my pencil.  its good to see something evolve from concept to finished piece.  Now to work on enlarging and transferring the drawing. The painting may not start til this weekend simply due to lack of time.

I keep looking at the sketch and wondering if I should give it a turn and if it would look better a quarter turn to the left, like this.  Which do you prefer?

Red-breasted Nuthatch

These are frequent visitors to the bird feeder and are seen daily scrambling head downwards on tree trunks.  They are tiny birds compared to the others that arrive at the seed diner and never stay for long darting back to the safety of a tree or to the woods in case a hawk appears.

Originally called Le Torchepot du Canada, the Red-breasted Nuthatch is familiar to most North American bird watchers. Its present name in French is La Sittelle à poitrine rousse, a literal translation of its standard English name. It has been locally called "upside-down bird" (Newfoundland and Labrador)

Started on newsprint with charcoal, here's the original sketch then I added soft pastels.

George Street

 
In St. John's, there's a famous street in the downtown core called George Street.  Its home to a pedestrian only  two blocks of bars, pubs, restaurants – and nothing else. Its the entertainment centre of amusement, alcohol, music, dancing, and crime - not in any particular order.

Its rare that I go to George Street, even though all ages tend to populate it, however, it is predominantly a younger group.  When people visit from other places, they want to see George Street at night in all its glory and its then that I venture downtown as tour guide.

And of course when there I tend to people watch and sometimes try to sketch.  This is the result of me tucked into a corner trying to be unobtrusive and a woman watching me watching her. She never said anything or approached me and I tried my best to avoid her gaze and blend into the background.

Ducks

There are only two ducks left in the barn now.  B.D. and Lucky.

B.D. is a Muscovy duck and my very favourite boy.  Appropriately named  Big Duck (BD for short) as he's large, about goose size.  Muscovies don't quack but make a hissing sound and BD greets me like an old dog when he's out of the barn, rushing forward, crest up, hissing madly, tail wagging furiously. 

Lucky, the other duck, is a Pekin, the classic white duck of fairytales and nursery rhymes and who the sketch is based on.  Pekins are lovely ducks but very, very chatty.  They are constantly on the prowl, sifting through grass and talking to anything that will stand still long enough.

Lucky was so named as he survived a bad attack by a mink and then another by an owl. A tendon in Lucky's neck was damaged so his neck is crooked, aside from that he's just fine.   He and the two remaining ducks who survived the mink attack had been placed in a pen in the meadow til the owl visit, that killed his two companions. BD had recently lost his constant companion Buddy, so he and Lucky joined forces and are inseparable.  One would be lost without the other.

I think I would too.

People watching

I love watching the interaction of people with the world around them. While uniquely individual, they are all the same in terms of repetitive motion.  That's what makes sketching in public easier for me

People change position, move around, walk, bend, eat, drink and I put down a few lines here and there then wait til they resume the position again, which they invariably do.   I move from person to person with a line here and there then back again and hope they don't leave the scene entirely before I'm done.  I like to test myself with just how much information I can get down in a very short time frame.

While waiting today, I sketched heads of others.  I find most people that I sketch are engrossed in their own activities and rarely aware or interested in what I'm doing. The lead in my mechanical pencil gave up the ghost mid sketch and all I could find today was a ballpoint pen in my bag to sketch with, but it fits the bill to capture lines.  I think the next challenge will have to be about unusual tools for drawing.  Toothpicks, twigs, etc. etc.  Never be afraid that your sketchbook is too precious or your drawing not perfect enough.   Each line is a moment in history.  Your history. 

Keep mark making.

Inchworm

Bugs.  Shudder.

Those who know me know I don’t tolerate insects well.  I’ve been known to sleep in other rooms if a moth invades.  Wasps and bees freak me out and I loathe spiders and barely tolerate earthworms. Even butterflies are just colourful moths to me and I don’t want them anywhere near me.

Inchworms?  Well they’re a little different.  They’re tiny, or at least the ones I knew were, and a lovely chartreuse colour. I remember playing games with them with I was a child, watching them pull up their centres and stretch out again to move ahead.  I loved seeing their strength as they extended their tiny bodies to test for the next landing point, waving gently back and forth

Who remembers this song and your own adventures with inchworms?

Cup o’ Joe

A couple of years ago, several dozen seagulls in St. John’s met their untimely end due to ingestion of coffee grounds.  Seagulls seem to populate every part of town and are voracious eaters, tackling any garbage bag they see and I imagine there are coffee grounds in many bags, especially if they find one from a local coffee shop.

The expression on this bird seems a little surprised. Its that wide-eyed look, a little frantic and undertone of calm supporting it, verging on the edge of wanting to go back for more, but feeling that he shouldn’t.

I love gulls, crazy, pugnacious and greedy as they are.  Drawing this one was very enjoyable.  This is day seven of my March Sketch a Day project.   Each day sharing a sketch with you on a blog page devoted to just that.  You can take part too and add your sketch during March.  Doesn't matter if its each day or only one, its all about the drawing practice!

Talking about aggressive, take a minute to watch the video below of a very bold seagull who swiped a woman’s camera in San Francisco while she was filming the sunset.

The camera was still filming and the gull eventually relinquished it in another spot after determining it wasn’t edible.  The gull-eye view footage, including the thief’s getaway, was included.

Little things

On February 24th, my eldest daughter had her first child, a boy.  I'm looking forward to meeting him for the first time in early April, but until then I have to be content with virtual visits and photographs.

This is the first sketch of my new grandson and I'm sure there will be many more to come.

Reynard II

Reynard the Fox was a medieval European trickster figure, a nasty but charismatic character who was always in trouble but always able to talk his way out of any retribution.

I'm not so sure whether this fellow is quite so willing to talk his way out of trouble.  He lies in wait in the grasses at the edge of the meadow, hidden enough from view but with full view of his surroundings.

Foxes have very cat-like features I think and quite delicate faces, legs and feet.  I've had quite a few encounters with them on the farm and just the other morning saw a silver fox race across the road as I left for work.  Red foxes are much more commonly seen so the silver one was a treat.

This fox is drawn on newsprint in pastel.  12" x 12" approximately.

Veiled

Drawing casts is a traditional method of learning to draw form.  All kinds of sculpture is used to draw from and good lighting helps the artist create the play of light and dark that gives the piece shape.

This is a form of gargoyle found on many buildings, little heads with various expressions that populate churches, cathedrals and buildings of importance.

This is a quick sketch done at lunch today that will be turned into a drawing.  I have vowed to produce several complete drawings this year and this will be one of them.  I think I hear charcoal calling for this one...

Reynard the Fox

Living in the country, there's always animals around.  Some wanted, some not so wanted.

Foxes are elegant opportunists.  They watch unseen from the woods and lurk on the edge of the field, waiting for a moment to grab a chicken or duck that's wandered too far or if very bold, they venture into the barn to see what's available.

Although I don't like it if they do kill one of the birds, I also have a degree of sympathy for them, as I know they're simply looking for a meal to feed themselves or a den of kits.

This sketch is the start of a small oil painting of Monsieur Reynard.  Drawing is the backbone of art and the need to draw and sketch daily pushes me to keep those hard earned skills intact.

You can add your sketch for one or all days in March on my March Sketch a Day page.  Simply add your name, blog post url and image to the Add my Link button on that page.

Youth

 The classic lines in this fellow's face appealed to me and it may be worth expanding into a portrait.  For now, just a sketch.

Afternoon stroll

 
Still in Vilnius, I came across this older woman out for a stroll in the dappled sunshine.  It seems the world over the stance, hair and accessories remain the same.  These sketches are being completed in a 3" x 5" trave e logue sketchbook.  The paper is fairly substantial and holds water well, so I thought I'd take advantage of that fact.

If you'd like to add your sketches during March, go to the March Sketch a Day page on my blog (see the page tabs above) and use the button to to add your image and link back to your blog post.  Let's see how many people will join in this month!

March sketching

Drawing has always been my comfort zone, but painting does eat into that and I while I usually sketch something most days, I don't usually share it.

I've decided that I will devote March to sharing a sketch a day.  One, it puts a bit of pressure on me to ensure that I do produce and two, it continues to ensure I keep my drawing skills honed.

I'll be posting the sketches in a Facebook album and also sharing them on my blog on the March Sketch A Day page.  I'd love others to join in and share what they've drawn during the month. You can add a thumbnail of your sketch on my March Sketch a Day page which also links directly to your blog post. The basis of the sketch should be a drawn line, but colour always livens things up after you have the "bones" down.

I'll start the month off with a sketch of a row of sheds on the side of a road in Vilnius, Lithuania.  If you're looking for something new to sketch try The Virtual Paint Out.  You never know what's waiting for you there!

Glass continued

 

I like the methodical build up of paint when working on something that is transparent. The  subtle changes in values are easy to miss, but become crucial in pulling off an object in realism.

This is why I rarely use a photograph if working from a reference piece but leave it on the computer. That way I can zoom in and see detail and colour that no printer, no matter what the quality of output, can ever produce. Here is the current work's progress, using layers of oils on top of the acrylic from the last post.

There's still lots more to do and I want to leave it for a couple of day to dry a little then start some glazes over the glass surface in some areas.

Painting glass

I've determined that my love of painting water and fish and reflective objects is all down to that play of light and how it forms shapes so well.  Capturing the reflective quality is a challenge to me and a bit like a puzzle that I always enjoy tackling. Glass tends to be one of those perceived difficulties for artists who view the whole and panic, wishing there was a "glass" paint to achieve the transparent and reflective surface.

Reflective surfaces need to be studied carefully to understand just what makes up their form.  When you dissect a highly reflective object in bright light, you see that the lines between values are very well marked and break the general rules in painting and drawing of not having crisp edges between values.   It is that edge that defines what we see and interpret and shiny.  If the bright light was not reflecting off the surface, the effect would still be there, but less intense.

      

Yesterday I created the study of a glass bottle (top of page) using watercolour in a 6 x 12 multimedia sketchbook.  I love my studies as many of you know and wanted to see if this would be worthwhile to turn into a painting.  And I believe it is. 

The form and reflections work well and I've drawn the bottle again freehand with acrylic paint and blocked in some form with dilute acrylic washes.  Next I'll start adding colour in oils.   Acrylic backgrounds are almost another form of study, letting me block in colour quickly to set the stage for what is to come. 

This is on a 9" x 12" canvas panel.

Indiegogo project

I've taken the plunge and have launched an Indiegogo project to fund  my printmaking project Fishy Bits! in 2013.  Funding will help provide me with an entry level printing press as well as professional carving tools and supplies.


I'd be grateful if you could share this information with your networks.  The more people exposed to the message, the better chance I have of achieving my goal.  And of course, there are perks for contributions!  Contribution levels are available to suit every budget and if you can't contribute financially, sharing information on this project is as good as any contribution.  Facebook, Twitter, Google+, your blog, your website...anywhere!

Meanwhile, the March fish print has been carved and will be released on March 15th.  The January and February prints are completed and available from my website.  Happy fishing!

Reality and fantasy

So many beginning artists believe that fantasy work is all in your head. Its quite the opposite in fact, with reality front and centre.  The concept comes from within, but the creation is based on real objects and people.  The skill is in composition, and morphing real  into the unreal, which is still based on reality, if that makes sense.  For instance, a rabbit would never wear a jacket in reality, so my research is based on two images:  the first of a rabbit, the second of someone in that particular pose wearing a jacket.  Merging the two becomes simple once the idea is in place of putting an animal into a human pose.  Little touches of whimsy are added on as the piece progresses and my mind wanders.

My art group has been tossing around ideas for a new project that may or may not get off the ground - a Newfoundlandized version the classic story, Alice in Wonderland.  This is the thumbnail sketch of the Mad Hatter's tea party, or my version, in its infancy.  Of course in Newfoundland the best party always seems to gravitate to the kitchen, so of course, that is where the tea party would have to take place. I've been compiling little sketches here and there over a few weeks to see what ideas gel and how much complexity to put into something.  Even if they never make it into full paintings, the process gives a lot of food for thought and a lot of good practice on drawing and composition skills.

The beauty of creating something out of nothing is that it allows your mind to pull up memories, then flesh them out with solid research for forms. While very time consuming in terms of researching and drawing, the results prove quite interesting. 

Fractured duck

                                               Duck Bucket

                                                            5 x 7   oil

No, no don’t report me for duck abuse!  Its only the paint I fractured, not the duck!

I had downloaded a Artbyte tutorial on Daily Paintworks by Julie Ford Oliver on using fracturing in painting (thank you Julie!) and because I get side tracked easily from my main painting tasks, I thought I’d try it out using this image of one of my ducks from a few years back.   Also check out Celeste Bergin’s experiments with fracturing paint too  here and here.  Love that red chair!

I didn’t have the scraper tool that Julie adapted, so substituted a Catalyst rubber blade made by Princeton which was flexible and about an inch broad, but likely need to adapt a scraper to fit the bill.

I think my piece is more palette knife than paint fracturing, but it was fun to do and I may try again with a more refined technique instead of slapping on paint quite so lavishly.

The duck story?  I had quite a few ducks a number of years ago, and the white Pekins were one of my favourite.  Chatty, busy birds that made a line around the farm and laid lots of eggs as well as cleaning up grubs from the grass. They always  seems to be looking for something in the grass and if an inanimate object was found, they would “wash” it in their water bowl and there it would stay.

Pekin ducks LOVE water.  And yes, you say, ducks do.  But not all ducks do.  My Muscovy ducks didn’t like water much and BD, who I still have, really, really dislikes water except on days so hot he needs to cool down.  However, Pekin ducks make a beeline for any water.  A red bucket of water had been put out for them and a few minutes later I could hear scrabbling and quacking and went to investigate.   This duck got too excited and climbed into the bucket then, of course, couldn’t get out and had to be rescued.  Its a bit like having toddlers around.  You need eyes in the back of your head!

Never a dull moment around here!

The fall back

When inspiration isn't high or other things are on my schedule, I have a fall back.  Its me.  Or more precise, self portraits. They help me work out solutions, experiment with mediums and techniques and there's never much complaint from the model or any fees to pay.

The comfort level comes from familiarity.  After all these years, I know my face, good and bad, well.  I have the ability to see skin tones in an instant, adjust lighting to suit my needs and tweak without protest.  Self portraiture creates a historical record of features at a specific point in time. Not that future generations or public will hold me up as a celebrity, but they may be curious about the time or person that connects in some way to themselves.

When I think of generations long gone, I would love if they had recorded themselves in words and paintings for me to see and get a glimpse into their life, whether real or imagined.

I enjoy using watercolours for portraits.  They give a soft but strong impact and work so well for skin tones and eyes. I love seeing features appear out of the white paper as if by magic. This seems to happen more with watercolour for me than oils where I block in more colour at the start.  Of course I could do the same with watercolour, but I go with the eyes first then work my way out from there. I drew this out yesterday between bouts of doing other administrative tasks and started adding some colour today, again, between tasks.

Its not really a work in progress though you will see more complete versions appear in the future, provided the muse doesn't push me into another direction before that happens.

What's your fall back subject?