Saturday, June 24, 2006

Living in the past



Happy, and I'm smiling, walk a mile to drink your water.
You know I'd love to love you, and above you there's no other
We'll go walking out while others shout of war's disaster.
Oh, be forgiving, let's go living in the past.

Once I'd used to join in, every boy and girl was my friend.
Now there's revolution but they don't know what they're fighting.
Let us close our eyes. Outside their lives go on much faster
Oh, be forgiving, we'll keep living in the past.

Oh, be forgiving, let's go living in the past.
Oh, no, no, be forgiving, let's go living in the past.
Jethro Tull

Wet days, like today send me to the past and I rethink people, places, things. I never knwo if that's good or bad. Perhaps a little of both. Music plays a role too and Jethro Tull used to be one of my favourite bands in my youth. They still are in some ways and the classic songs transport me to times when stress didn't exist as a word even less a reality. Or if it did, there was no impact on me.

I pulled out an old portrait that I started about 17 years ago of my father. I don't even know if I can finish it as I don't know if I still have the original reference image that I used. It was to be a surprise birthday gift for him, but it never turned out that way. He died before I could finish it, so it sat unfinished in cupboards and stacked with other paintings. Til now. I've been looking at it and deciding if its worth saving or whether I should just start afresh with a new reference. The canvas is a bit limp but salvageable likely. Acrylic paint was used for the start and its still in fairly good shape, but chipped a little in places. I'll think about it for awhile and consider what to do.

I've been experimenting with charcoal on tinted paper. Soooooooo messy but satisfying all the same. Years ago, I experimented with making my own charcoal using willows which were readily available at the time. It worked but the pieces were a bit large and crumbled easily. Great for large impressionistic pieces but not good for detailed work. I used the textured side of some mi-tientes paper that I had. Its actually a pale brown but the photo shows more grey. I think I'll try the smooth side later as I'm not pleased with the textured look.

Neither of these images have come out well as photographs. Perhaps the dull day has an effect on it. I'll try a scan and see if that comes out better.

And for those needing their baby goose pics, here they are, perched on the grass in the front turning circle of the drive, being cute. The parents are still in attack mode however and go for anything that moves. Tractors, cars, horses, people...

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Friday, June 23, 2006

Portraits and art news


I've worked a little more on the baby portrait. The mouth and nose are causing grief and I've erased and redrawn them at least three times! I think I finally have the mouth right, but the nose still needs work. Then I'll start filling in tones to make the face take shape as well as the jacket.

Babies don't have substantial, concrete features to work with and I find it challenging to say the least to draw this. But I learn as I go along.

Wandering tonight I found the following sites on art news that led me off for an hour down many paths.

Artnews in Canada

Art Daily

Art News Blog

Art Knowledge News

The Art Newspaper

Arts & letters Daily

Artists in Canada

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Thursday, June 22, 2006

Graphics tablet


Late last year I obtained a digital graphics tablet with the help of a friend in the United States who is in the computer industry. They can be purchased in Canada, but as with all things, if obtained at source, you can get a better price and quicker service. This tablet is a middle range one, price wise as I didn't want to invest a lot of money in one, not knowing if I would use it much.

I have experimented with it and played with a number of graphics programs on it such as Adobe Photoshop,Artrage, Dogwaffle,and Twisted Brush are just some of the available programs either for sale or to try for free. They all have a lot in common, providing a variety of mediums and supports to create art digitally.

Effective digital art has a steep learning curve, dependent on the program that you are using, especially Photoshop. And at this point, I use the most basic features and still haven't taken the time to study or experiment indepth. Time is always the challenge for me. But when I browse forums that produce extraordinary art created digitally, it always inspires me to pull the tablet back out and try again.

This watercolour started as a sketchbook doodle, which just seemed to flow. Can I recreate on watercolour paper? Its fate is in the hands of the gods of watercolour on the day that I try. I'm waiting patiently (well somewhat patiently) for my waterbrush to arrive. Russell Stutler provides a great piece on the different brushes available. Then I can take it on some sketching field trips. These are neat little brushes that eliminate the need to trek jars of water around with me when I want to do some watercolour work with pans of colour or watercolour pencils.

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Wednesday, June 21, 2006

Its not as easy as it looks


I am doing a portrait of a friend's baby. I have never drawn a baby before and there are challenges in getting the features correctly placed. I've made a start and I know that simply seeing it on the computer screen will ensure that every error pops up at me.

The baby is a year old now and I spent some time with her as a small infant and I refer to her as 'my' baby. She's a placid easy going baby with a willing smile, even though its more a quizzical look in this image.

It seems others have been down this road before me in varying forms...

After years spent dissecting the works of the great artists, critic Jonathan Jones decided to put his money where his mouth was - and learn to draw. His modest aim was to sketch a portrait of his 15-month-old daughter, but first he had to learn the basics ...


Wet Canvas provides some insight into proportion when drawing children and babies as well as adults and teens.

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Tuesday, June 20, 2006

Storms and animals




As I got home today, a thunderstorm was brewing. There was a yellowish cast to the light and a faint rumbling in the distance with an omninous sky seeming to lower itself to the ground to meet me.

My first thought was of the horse in the meadow. She isn't usually a horse that is spooked too easily but then again something like a mouse crossing her path can create havoc in her world. A few more serious rumblings and it was decided that she better come down from the field to the barn. Sweet feed is the ultimate control for Kit. You don't even need a lead if you have a bucket of sweet feed in your hand, she'll follow you to the end of the earth and beyond. In fact, you don't even need something IN the bucket. She just sees the red bucket and knows.

As I drove up the drive, I was met by the geese - adults and babies munching grass on the centre of the turning circle in front of the house. As I pulled up to the head of the driveway, Angelo, the large male goose, charged the car! I know he's guardian of the babies, but charging a car? Is that where the term 'silly goose' came from?

The thunder seemed to make the geese and ducks stop in their tracks a few times at the intensity of it but other than that and dealing with gusts of wind that the storm kicked up, seemed no worse for wear and actually liked the rain.

For humans, it stopped power off and on, knocked out internet connections and made me wish it were dark so that I could enjoy it properly. I always feel a good storm is wasted in the daylight.

Today's drawing is of one of the Muscovy ducks, B.D. B.D. stands for Big Duck. Yes, imiaginative I know but these are large, slow moving ducks with no quack. They are more goose size than duck size. They are the remaining two of a flock of 8. All the females (4) and one of the males were killed one night by coyotes. Three is not a crowd for males and as two seemed to buddy up, the third was sent to be companion for a Toulouse goose of a neighbour.

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Monday, June 19, 2006

Still crazy after all these years


Men have called me mad, but the question is not yet settled, whether madness is or is not the loftiest intelligence--whether much that is glorious--whether all that is profound--does not spring from disease of thought--from moods of mind exalted at the expense of the general intellect. Those who dream by day are cognizant of many things which escape those who dream only by night - Edgar Allen Poe

When you are insane, you are busy being insane - all the time... When I was crazy, that's all I was. - Sylvia Plath

In 1992 Dr. Arnold M. Ludwig, a psychiatrist at the University of Kentucky Medical Center, published an extensive biographical survey of 1,005 famous 20th-century artists and writers, comparing their mental health with those of individuals in other, more conventional, professionals. Ludwig discovered that artists and writers experienced two to three times the rate of psychosis, suicide attempts, mood disorders, and substance abuse than did comparably successful people in business, science, and public life. Ludwig went so far as to trace various types of mental illness to different creative professions: he found that if you're a poet you're more likely to suffer from mania and psychoses; a musician or actor, drug abuse; a composer, artist, or non-fiction writer, alcohol dependence. In Ludwig's analysis, those professions which rely on precision, reason, and logic have a much lower rate of mental illness than those that rely on emotive expression, personal experience, and vivid imagery as a source of inspiration.

In other words, it could always be worse--you could be a poet.

Are suffering and art inevitably linked? Carl Jung praised the artist as the one who "makes it possible for us to find our way back to the deepest springs of life." If that sounds like a big responsibility, it is. Jung's artist, forced to carry "the unconscious psychic life of mankind," might find himself with "so heavy a burden that he is fated to sacrifice happiness and everything that makes life worth living for the ordinary human being."

Are artists crazier than other folks? Read on and find out.

Creativity and Mental Illness, by Laura Gosselink has done more research into the subject.

...although it is certainly not the case that all creative individuals suffer from manic depression, it seems that characteristics of mania and depression aid the development and expression of creative thought and action. Mania combines new and heretofore unconnected ideas at a rapid pace and has even been shown to elevate IQ scores(8). Mania also imbues the individual with relentless drive and confidence that can, very often, lead to creative output. Balancing mania, depression not only can serve as a "reality-check" to manic excesses of thought and action, but also can itself provide fuel for creativity.

What does this mean for treatment? "I want to keep those sufferings," said artist Edvard Munch. When told he could end his cycle of psychiatric hospitalizations with available treatment, he replied that emotional torments "are part of me and my art. They are indistinguishable from me, and it would destroy my art"...


An article from The Guardian linking art and sex.
From Lord Byron to Dylan Thomas and beyond, the famous philanderers of the art world may have had a touch of mental illness to thank for their behaviour, psychologists report today.


So before insanity claims me entirely, I'll add my art for today then pour alcohol on the demons within (well, the study DOES expect it of me, doesn't it?). Well these are drawings from a couple of days really, plus another addition for Crack Skull Bob's Selfportrait Marathon. I have updated the image of the duck in the bucket that I did a couple of days ago. The scan didn't turn out well and this version is a digital photograph taken in natural light.



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Sunday, June 18, 2006

Fathers


Father's Day is a non-event at my house these days, except in thought. My father has been dead for 16 years, my husband's for 10 years. My daughters telephoned to say Happy Father's Day to my husband even if he isn't their biological father. This makes him feel awkward and anxious to get off the phone, so he hands them over to me as soon as possible. He's not good at dealing with younger people and hasn't had a lot of interaction I guess so that makes him feel uncomfortable around them.

However, my father was a kind man and I was more attuned to him than my mother. Perhaps that is just the way with opposite sexes - mothers and sons; fathers and daughters. Together the sexes clash, opposites seem to have more 'give' to them or maybe they see some of their youth in their children or what they wished their youth was. We never were a demonstrative family in terms of affection. It was an unsaid given that we cared for each other, but words and actions to follow up were not something I ever remember. I did a portrait of my father years ago, shortly before he died - or I started one. I must dig it out and see if I can finish it. It would be a good tribute for Father's Day.

The geese allowed us to get close enough to get some photos of them and the new babies - now about a week old. Angelo, the father goose, struts around shouting and charging at everything that moves within 20 feet of the babies, while the mother goose, Lucy, just lets him get on with it with a resigned look on her face.

The broiler chicks are growing rapidly and in another 6 weeks or so will be ready for processing. I had a photo taken of me holding one of the chicks when it was a day old in my hands in the barn. I used this image as one in the Wet Canvas drawing event this weekend so decided it was about time that I did a drawing with it too. It was done with a Pigma Micron pen .005 nib.

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Saturday, June 17, 2006

Life and death

This morning, there was a loud thud against the dining room window and out of the corner of my eye I saw a bird hit the window then fall. I went outside to see if it was ok and found this beautiful, tiny yellow-rumped warbler on the ground, conscious but not moving. I picked it up and placed it on my flat palm where it stayed blinking and panting, but still didn't move. I put it in the grass in the shade and kept my distance, doing some gardening,one eye watching it. Within 20 minutes it died. Unfortunate, but it provided me with an opportunity to sketch it. Such a tiny perfect bird.

On a farm, life and death are as natural as breathing. People who buy their meat from a supermarket or butcher are often oblivious to the origins of their food and would likely be rather squeamish to know. I used to be like that too, but now I have a healthy respect for both life and death.

I worked on 'duck in a bucket' to expand the sketch from yesterday. I decided to use some black Mi-Tientes pastel paper and dug out some old pastels that I have had for years to see what I could do with them. I forgot just how messy pastels can be, but the effect is lovely as I tried to capture the highlights on the duck against the darkness of the background.

Today 17 Chinese geese were moved from the barn to an enclosure on the edge of the woods. Boy, they are noisy! It was a beautiful warm sunny day and the first time they had been outside their pen in the barn since they were born, about 8 weeks ago. There was a lot of herding but they seem to have settled in now. Catching geese is not an easy proposition as they flap a lot and are quite strong. Not something I'd want to do every day.

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Friday, June 16, 2006

Groundwork and lists


I rarely start what I call a 'proper' drawing without doing a preliminary sketch first. Now the sketch can be loose and have inaccuracies or it can be detailed and precise. I like to have some idea of how the final drawing will turn out and if I even like constructing it.

A drawing is like many things that are started and not completed just because they don't feel right.

Here is such a sketch of one of the Pekin ducks whose overexuberance got her into trouble - getting stuck in a bucket. I've had the reference for this image since last summer, but only nowo am getting around to considering it as a drawing or painting.

This weekend I am hosting the weekend drawing event at Wet Canvas so have provided a variety of images for people to choose and create art pieces. The duck in the bucket is one of them. Bear in mind that this is a rough sketch, and started more as a doodle on some lined paper. I'm trying to decide the medium for this piece. Perhaps black paper and pastel or derwent pencils.

I've also been working on more self portraits. I completed one yesterday and another today. Yesterdays was done in graphite and today's in Derwent Drawing Pencils. I love the look and feel of these but haven't had a lot of practice with them yet. They are fat pencils that blunt easily so I'm learning as I go. But I love the rich,natural tones of them and how smoothly they go onto the the paper.

Here's today's efforts.

Loretta at Pomegranatesandpaper has unique List Friday going. Today the theme is What's Missing? List six things that you have lost and never found - youth and virginity not allowed..:o)

Here are some of my losses.

1. A gold bracelet from a very dear friend. I felt like I was confessing a sin when I said it was missing.
2. Forty pounds sterling that my tiny daughter took out of my bag, 'played' with and couldn't remember where she put it.
3. $100 stolen from my car while I showed the girls their first blueberries on the bush in Newfoundland (do you see a trend happening here??)
4. Too many single earrings and socks to mention. In vain, I keep the twin in the hopes the other will magically appear one day.
5. Baby teeth. At least three that I swallowed inadvertently. I felt cheated at the time as I thought the Tooth Fairy would fly over me without a second thought. She still arrived anyway. :o)
6. Two cats, both within a week of each other. Guinness and Murphy, both named after stout beer. Wonderful five-toed cats that I owned for years. They were great hunters, bringing home anything from rabbits to crows. I think they were outsmarted by a fox.

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Thursday, June 15, 2006

Parenting skills


Being around animals a lot, I see many of the same behaviours in them, both good and bad, that mirror human parenting skills. Or do I just want to see them to try to understand their actions and find a common ground for comparison?

Technically, there is a base of instinctive emotion that over rides all else in most humans and animals. There will always be exceptions to the rule due to internal and external factors. The difference perhaps being in how animals abandon or kill the weak or injured while humans continue to preserve life no matter what the quality or danger to the individual.

My own parenting skills were at zero when my daughter was born. I knew nothing about babies, had never held one or even seen one close up for that matter. They may as well have handed me a puppy for all I knew about what to do with it. There was an instinctive nature to protect and care for, but it took quite awhile for love to develop. It was not a 'love at first sight' affair. I think I took her to baby clinics weekly just for confirmation that I was doing something right. I was young (22), I had no relatives and few friends nearby, having just moved to the area, and my husband left for work in Madagascar when she was a week old. I spent a lot of sleepless nights, not only to tend to a crying baby, but worrying about her and me.

But she did survive and turned out well as did her sister, despite unorthodox lifestyles and parenting skills that were hit or miss or led by Dr. Spock.

What has made me think of this is the birth of a baby making someone a grandmother (no, not me). The discussion was of the practical skills in raising a baby. To bath the infant daily or not; to put it to sleep on stomach or back; to have natural feeding times or schedule them (that's what really floored me...would you really wake a sleeping baby to feed it??) It seems the art of child raising goes in circles with myths and discoveries being passed around. Through it all children survive and thrive no matter how helpless we feel or what a terrible job we think we are doing.

Children are resiliant. So are parents. Just as well, huh?

My drawing over the last 24 hours has been simple line drawings of more animals, plus another self portrait (yep, I'm on a roll) Here are a couple of the drawings, one of the Muscovy ducks. They are so unique and strange looking. It makes you realize how they create these amazing science fiction characters. No imagination needed, just look around yourself at the interesting animals.

The second is a Belgian hare. A large, sturdy looking animal. Hares and rabbits are always appealing to me. Their softness yet they have a manevolent stare sometimes...

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Wednesday, June 14, 2006

Older is better sometimes

Its funny how I am pulled back to older things in life. Its not a premature reminiscence of days gone by I don't think, but more a feeling that things of the past are more substantial and real than what I am offered currently.

That applies to art too. Yes, there is some beautiful work being created daily but I only have to look at some of the master artists' work from the 15 or 16th century to realize just what talent they possessed and how they plied their trade in the face of much more adversity.

With that in mind, I would like to recreate a painting done some time ago. The Art Renewal Centre is a site that I browse frequently for inspiration. William Bouguereau is one of my favourite artists and the simplicity of figures in his work appeals to be greatly. The work that I have started of his is called La Soif - translated as The Thirst.

Here is the initial line drawing. Its 11 x 14 and I will try it in coloured pencil. Don't hold your breath for updates quite yet as time is a real challenge for me at this time of year.

Animals, greenhouse and life take precedence many times, but I will always make room for drawing, it soothes the soul and keeps me sane.

Another challenge is the self portrait marathon from Crackskull Bob's site. A self portrait a week between June 8 and July 8th. I have found self portraits to be revealing as you never really know anything or anyone until you try to recreate them on paper or canvas. Each self portrait that I've done looks different than the last. I tried my hand at yet another today and find that, yes, its another version of me. A new day, a new me. Interesting. Self portraits show the world who you are or who you think you are. They are a unique record of the passage of time. Here is today's version of me. And to prove a point about each drawing being diffent, here are a couple for comparison, all done within the last six months.



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Tuesday, June 13, 2006

Books


I have had three people in the last week tell me that I should be writing a children's book around some of my animal drawings (and no, they weren't relatives). The concept is an interesting one, but I know little about where to start or how to start or even if I should start.

I have been a little inspired by an article in this month's Artist's Magazine in which Geordie Millar's large-scale drawings of a female moose chronicle the animal's imagined responses to the gallery viewers. The responses of geese to any viewer?? I have enough drawing inspiration residing in the barn to last for years. The initial image that sparked the book idea was my adventures with Blizzard, the orphan gosling. Since then there have been plenty more goslings and chicks and geese to choose from along with rabbits and moose and foxes and coyotes and bears...the list goes on.

Drawing them would be a pleasure for me as animals are my favourite thing to draw. Creating a storyline around that would be secondary. Perhaps the illustrations would spawn the storyline.

That being said and supposing I were to accomplish this, then there is the question of having something published and printed. Never a cheap proposition or an easy one. I had a browse online and discovered several 'do it yourself' versions that will print and bind books for reasonable prices if I wanted to see myself in print.

Lulu.com Lulu is the web's premier independent publishing marketplace for digital do-it-yourselfers. What is a lulu? Well it's not your grandmother's kitty, that's for sure. Ever hear the phrase "Boy, that's a real lulu"? Well, even if you haven't, we think of the word lulu as an old-fashioned term for a remarkable person, object or idea.

Or you can turn your blog into a book. Might be the perfect way to keep a record of your writing and images. Blogbinders is one that I came across.

I'll have to experiment with the book idea and see what evolves. And for tonight, a sketch of Kit, the remaining horse. She's big and goofy, but loveable and will mug you in a second if she thinks you have treats!

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Monday, June 12, 2006

Muses and imagination


While browsing through other blogs and comments I started thinking about muses and what they are and how they affect imagination and creativity. We often think of them as a person and in mythology they were - if you believe mythology...in ancient Greek mythology muses were any of 9 daughters of Zeus and Mnemosyne; protector of an art or science

Not having any mythical daughters of Zeus living at my house I turn to more mundane muses.

Books: I live for books and get lost in them almost as deeply as I can become immersed in drawing or painting. In my mind, I paint images while I read. Its another reason why I feel disappointed in most cases when I see the film version of a book, as it doesn't reflect MY images.
I recall an interesting task in creativity that involved books. Go to your bookshelf and with your eyes closed, pick a book. Still with eyes closed, open the book randomly and trace through the page, stopping your finger at any point. At that point, open your eyes and read the paragraph that your finger points to. The challenge is to illustrate that paragraph. The book can be anything from a cookbook to a novel, historic or fictional. If you happen to open to a page of graphics, simply choose again til you hit text. Its a great inspiration when you're stuck for drawing fodder or inspiration.

Animals: Animals never lose their appeal to me. They have endles behaviour patterns, shapes, sizes, colours and personalities. From simple sketches, to full blown portraits of great details, animals always inspire me to test my abilities. I have access to endless domestic and wild animals to observe, photograph and sketch. Each day brings a new animal and a new composition.

Solitude: I need to be alone to create. If someone is in the same room, looking over my shoulder I can't draw or write. I am social, but I hate company when I create. Its a necessity, not a luxury for me. I have created a studio in a spare room in the house and can lose all sense of time while there but people always come looking for me, wanting practical things done, like cooking supper or knowing where a sock is or did I have the last muffin (with just two people living in the house, why does anyone need to ask??)

Water: I need an expanse of water to sooth my soul and help me feel at peace. I am lucky that I live within minutes of the ocean, so I can take myself there when I need to hear the water lap or roar. Both extremes are equally soothing and inspiring. That, combined with the scent of salt air and the wind whipping my hair do something to make me feel alive and real. Some days I feel as if I am dead and puraly a figment of my imagination. Ocean waves help bring me back to life.

Music: But not always. My choice changes with my mood. One of my current favourites is Billie Holiday. What a Little Moonlight Can Do is perfect drawing music...then again any of her songs are.

People: I have had and do have supporters of my art in real life. It started many years ago with someone very special who nurtured my ability and ensured I was inspired and inspiring. Now that first muse is no longer there, but others replace him in varying degrees. Never quite the same and that's just as well, he was unique and made me unique under his shadow. Current muses are friends and acquaintances from varying backgrounds who nuture in different ways, but who all help me achieve what it is I want and sometimes even help me know what it is I want when I don't.

I had a drawing to post here, but Blogger doesn't want to cooperate - AGAIN! This is becoming a problem when every second day it won't post images. Its making me consider other options for hosting my blog that are more reliable.

Update: My apologies to Blogger. I think the upload problem was an issue with my browser Internet Explorer. I changed over to Firefox and its far quicker and uploaded my image this morning with no problem.

The drawing is one I did some time ago now. The dogs, desperate to want out. I can almost hear the whimpers and see them scratching under the gate.

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Sunday, June 11, 2006

Happiness is....

While searching for some art magazines from years ago, I found a photo of myself taken when I was about 13, late 1960's - the official confirmation photo I believe. I remember my mother taking me to have the photo done at probably one of the few professional photographers in town.

I remember having myhair set the night before and having to sleep with rollers in which I thought the worst indignity. Then the dress. I still remember the stiff organdy material and the even scratchier petticoat underneath. It was a one off dress for a one off occasion and that's about all I do remember of it. A rite of passage for the Anglican church.

For fun I drew the image of that photo. Done in a Canson sketchbook 8.5 x 5.5, mechanical pencil of assorted leads, ranging from hb to 2b.

I look at myself in it and see part of the past, part of the future. Thirty-nine years have passed since that moment was captured. So much has happened in thirty-nine years. And I had barely an inkling at 13 of how any of it would turn out.

I spent the afternoon wandering through garden centres looking for scented leaf geraniums and variegated leaf geraniums. I found both and will put them in pots. I wish I'd taken my camera and my sketchbook with me as I wandered. The colours and people and greenhouses would have made great compositions and sketching sites. Next time.

How do you make ducks and geese happy for $9.93? You buy them a paddling pool.

There is a pond on the property but it faces onto the road and I am wary of having the birds there as people do have a tendancy to think the world is theirs for the taking and I don't want them to end up on someone's dinner table or worse. So its the paddling pool for them. Yesterday the Pekins dived into a wheelbarrow liner filled with water and expected the same today. So off to the store to find one - or two or three. The sales guy kept giving me odd looks as I bought three paddling pools. He must have thought I had a lot of kids!

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Saturday, June 10, 2006

Compromise


The Wikipedia definition of compromise is this:

A compromise is an agreement (or proposed agreement) to accept a situation
in which the parties allow variations from what they originally sought, to
achieve a compatible outcome. Is also something that any involved parties have
to concede in something for the common better good to be achieved in an
appeasing manner.

Compromise is something that I seem to do all my life. I well understand that compromise needs to be acheived to get through life without war happening at every level, but to be honest, I'm pretty sick of it. Maybe its my age, but the side of me where my needs come first is becoming stronger and stronger lately. I don't believe that makes me a bad person, more like one who wants more out of life on a personal level. I want to be able to eat cornflakes in bed at 2am. To have martinis for supper. To go to bed at 6pm or 6am without question. To come and go as I want without being questioned. Is that selfish? Yes and no. Time to myself is precious and rare and becomes something that I crave which is likely what causes me to kick against the traces of compromise.

The mother goose brought her two goslings out into the yard yesterday to meet everyone. They were introduced to the other geese who crowded around like nosy relatives, admiring the offspring. Then the Muscovy ducks, B.D. and Buddy were shown the babies (at a distance). With their penchant for swallowing mice whole like slurping spagetti, I was wary of them around the goslings, but they kept their distance and Momma made sure they knew just where the line was they were to tow.

They next visited the horse in the field who ignored them entirely and probably didn't even see them, then it was off to the Embden geese to parade the tykes there. These little goslings sure do a lot of walking!

I did a sketch of the second pair of geese sitting under a tree trying to avoid babysitting duties this morning. Done in my Moleskine with pen and ink, graphitint and wash.

Opportunity


I took Friday off from work to do some things that I wanted to do instead of working around what others want. Guess what? It didn't work. I still ended up doing everything EXCEPT what I wanted to do.

Well, not entirely. I did manage to get in a few hours of sketching, starting at 6am when I woke and couldn't go back to sleep. Early mornings are good for me for drawing. I enjoy the silence of that time of day when the world is just waking up. Living in the country, the sounds of morning are natural, until humans get involved.

A friend visited yesterday, another artist who works in different ways than me and is in the learning phase - aren't we all? She had completed a drawing course that didn't give her what she wanted in terms of skills and 'tricks of the trade'. We talked for awhile and discussed opportunities to sell work and the concept of me starting a life class locally. There is nothing close by and the life class that exists is on weekdays so useless to me. I am considering the option of a small class for drawing from life. A simple clothed model and artists paying on a drop in basis, perhaps weekly for 2.5 or 3 hour sessions. On top of that the coordination of a sketchcrawl to explore various sections of St. John's or local areas. I will look into this and see what enthusiasm there is for these ideas. It seems if there isn't an opportunity, you have to create it for yourself.

Today I will try to recreate what was in my mind yesterday in terms of doing what I set out to do -some sketching in public. Wish me luck! For now, here is a sketch from yesterday morning - my computer bag sitting by the fireplace. The perspective of the slate floor horizontally is off and I have straightened it since. Its a sketch. They are never 100% what you want them to me, so I'm content. Completed on Strathmore sketchbook 5.5 8.5 with a Micron .005, derwent graphitint pencils and wash.

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Thursday, June 08, 2006

Natural

We live in a crazed, speed-driven world, forcefed information through endless emails and phone calls and an overload of internet and television. We expect instant results in everything from food, availability of services or websites. We are bombarding our senses and I feel as if I'm on overload.

I long for a time when life is slower and I don't have to compromise my drawing or my life to acheive results for someone else. I want a natural life that lets my body dictate sleeping and waking. I want to feel the seasons on my skin, not be artificially controlled in an airless building. I want to taste foods that still have earth clinging to them and the force of nature still pulsing through them as I hold them in my hand. I want time to spend with people I care about without interruption of techology or other people. I want time to live my life as it is intended to be lived. I want it to be natural.

Today a little piece of nature presented itself in the barn. One of the Chinese geese has been sitting on eggs and they hatched. Three small goslings who shelter under her wing to seek protection and warmth. There is no interference from humans to handle them or show them how to eat, except to simply provide food and water. Instinctive behaviour, natural reaction. It is how life should be for all of us.

I am taking a day off work tomorrow to catch up with myself and do some things that I want. One is a search for a new book Art and Fear. This is a book about what it feels like to sit in your studio or classroom, at your wheel or keyboard, easel or camera, trying to do the work you need to do. It is about committing your future to your own hands, placing Free Will above predestination, choice above chance. It is about finding your own work.

An excerpt:

Today, more than it was however many years ago, art is hard because you have to keep after it so consistently. On so many different fronts. For so little external reward. Artists become veteran artists only by making peace not just with themselves, but with a huge range of issues. You have to find your work...


Finally, a sketch to end my day. I sat wondering what to draw then ended up with a 20 minute sketch of some shelves leading into the kitchen. The perspective isn't perfect, but neither am I. Note: Blogger doesn't want to upload my sketch so it will have to wait til tomorrow.

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Biker Bunny



Last night the rabbit I fondly call "Biker Bunny" came calling again. I call him that as he has a chunk missing from one ear, his turf wars perhaps. Anyway he turns up regularly but doesn't eat the flowers - yet. He stays still for ages eating or freezing in position if he hears something, making the perfect candidate for sketching.

Tonight I got my Derwent Graphitint pencils so I tried them on on the rabbit. They may take a little getting used to but I like the effect of them, even if they made the rabbit look a little bald at this point!

This took about 25 minutes and I finished up a few details after he'd scampered off.

I need to effectively render fur texture with this medium and am tempted to go over it with more pencil or touches of pen to indicate fur.

Blogger was down last night so I had to do without my 'fix'. It becomes a routine, writing here, writing to friends, but never a chore, always pure pleasure.

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Tuesday, June 06, 2006

Captured moments


A quick sketch allows me to capture a moment in time, similar to the way a camera does, but with a longer exposure time. Sketching more quickly provides training in putting down lines economically and removes hesitation, allowing me to become more relaxed in how I draw.

This is the barn waking up. The horse was cranky as the ducks were in her way. I couldn't figure out if she was going to bite them or set them up for a drop kick. Neither happened and they resolved that early morning tetchiness without coming to blows.

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Monday, June 05, 2006

Sketching



There is a new Drawing 102 class at Wet Canvas on sketching, led by Katherine Tyrell

I have admired Katherine's work for a long time and view her blog on a daily basis, gleaning information constantly. Katherine's blog is linked to mine on the right hand side of this page or through the link in this paragraph.

I will be reading the text of the sketching class and participating whenever I can during the next two weeks. Sketching comes more easily the more you practice and the skill of drawing under the scrutiny of the public grows also.

I did a couple of sketches tonight, but not live ones so they won't go into the new sketching class thread. These were more loosening up exercises, having been out of the loop for a few days due to work demands.

Animals and people always appeal to me, so are my first choice in drawings.


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