Friday, May 23, 2008

Drawing workshop

Eye
graphite 4 x 6
copyright Jeanette Jobson


I teach a drawing workshop tomorrow and am finalizing a few details for it tonight. There are 18 people registered for this workshop, so that will make a fairly large group to coordinate, but once things get underway I'm sure it will be fine.

While teaching children has appeal in some ways, I prefer teaching adults, as the interaction is on a very different level as are skill levels and ability to understand techniques - most of the time. My workshops tend to move towards showing the basics of academic drawing techniques and move into observational skills and how to apply them to create realism.

Not everyone has the patience for realistic work and want quick results but a realistic end product. These are the people who end up getting frustrated with the process and time commitment involved. On average, a highly realistic portrait of a person or animal can take me 25 - 30 hours or more, depending on whether there is a background or not. Realism is not for those who want speed.

Thursday, May 22, 2008

Quill pens

Duck & goose feathers

There are a number of ducks and geese that wander around the farm constantly preening, fighting and generally leaving feathers of all sorts behind. This weekend as I did some gardening I was picking up large flight feathers from them and as I held them, wondering if I could create a quill pen.

BD & Buddy, my Muscovy ducks, are here having a great time searching for worms in a newly ploughed garden. They LOVE bugs and mice to eat. Yes, mice. Its bizarre. They are my favourite ducks. They are the ugliest creatures, but placid, slow moving and quackless. They hiss which sounds threatening but its their only way of communicating. They greet me each day when I come home, bobbing their heads, hissing and wagging their tails like little dogs. I adore them. They are very large ducks, the size of turkeys or geese so their feathers are perfect for quill pens.

A quill pen is made from a flight feather of a large bird, most often a goose. Quills were used as instruments for writing with ink before the metal dip pen, the fountain pen and ballpoint pen came into use.

Common writing equipment in medieval times were the quill and parchment. The strongest quills were the primary flight feathers taken from living birds in the spring. The left wing was favored because the feathers curved outward and away when used by a right-handed writer. Goose feathers were most commonly used and swan feathers were of a premium grade being scarcer and more expensive. For making fine lines, crow feathers were the best, and then came the feathers of the eagle, owl, hawk and turkey. Quills obtained from living birds in the spring proved to be the best for writing.

The method of making a quill pen is a little time consuming, but achievable with some practice. I have quite a few feathers to choose from but I won't be tackling one of the geese to get a 'live' flight feather!

How to make a quill pen

Keeping with the era of quill pens, I'm still working on my 1460 self portrait, so here's another update. Everything seems to be done in small chunks of time lately as I haven't had a block of time to sit down and finish a more complex piece. Next week...

I'm working on developing the dark background and dress and sculpting the upper portion of the head dress and the gauze. I've been using charcoal for the dark background but its not covering really well at this point. I'll try a little fixative and go over it again for a smooth surface.

1460 Self Portrait
after Rogier van der Weyden's Portrait of a Lady
copyright Jeanette Jobson

Wednesday, May 21, 2008

Bad day

Adversity is like a strong wind. It tears away from us all but the things that cannot be torn, so that we see ourselves as we really are. ~Arthur Golden, Memoirs of a Geisha

Its not been a good 24 hours.

I developed a severe burning pain in my eye last night that kept me awake most of the night. Trying to get a doctor's appointmentproved difficult. The earliest he can see me is Wednesday. Medical care is free for the most part in Canada, but it sure does have its challenges sometimes in terms of waiting times. Anyway, despite it all, the eye is getting better, and I have antibiotic drops to use, so I'll manage.

Then late this afternoon a friend died of cancer. She had been diagnosed only about a month ago. Its sad and all so common lately, this disease. Was is so prevalent in the past or did doctors just not know what it was? Or is it more common now due to changes in foods and lifestyles? Whichever the case, its a horrible disease, deserved by no one and equally damaging to those who die from it and those who watch the process helplessly from the sidelines.

So I crippled through today on little sleep and pain, wearing sunglasses inside and out as my eye was so light sensitive. Yes, its my pity party tonight. Come on over and bring a bottle.

However, I do have a little update on the tutorial for glass that I am developing. Not a large one, as my brain/eye/hand coordination won't let me see the finer details tonight, but an update all the same. I enjoy drawing glass. The precise shapes are like fitting a puzzle together.

Tuesday, May 20, 2008

Cosmos - finished & Tripod

White Cosmos
Coloured pencil on Bristol Vellum 9 x 12
copyright Jeanette Jobson


This is a close up of the area that was torn. Its the area immediately to the right of the middle sepal of the flower. Its virtual unnoticeable now thanks to some great advice from Teresa Mallen and others on how to repair it.

Finally, a view of the piece from about 6 feet away. We always see images close up on computers, but not as often from the appropriate viewing point. This gives a better idea of the colours, but is still a little pale.

And now for all the Tripod fans out there, his very own video. This was taken yesterday in the front yard, Tripod proving that disabled or not he can still catch pretty well and is really part dog. Ok, sort of. When he's in the mood. And its not too warm. If he's had enough tuna.

Never work with children or animals....



Enjoy!

Monday, May 19, 2008

Flower drawing update

Cosmos
CP on bristol vellum 9 x 12
copyright Jeanette Jobson


Its the Victoria Day long weekend in Canada and I haven't had much in the way of commitments until tonight, so I'm trying to catch up on some drawing.

I transferred the cosmos line drawing onto Bristol Vellum on Saturday and have made some inroads into the background and the buds. The flower is slowly coming together but there are sections that I have removed and will do over. It doesn't 'flow' for me. But of course, being a flower, that's my usual dilemma! Now in the process of removing some of the pigment on the flower, a small piece of the paper has lifted off, as I was using sticky tape to lift off the colour. I will try to go over it and see what the result is. Any tips from people who have fixed similar problems would be more than welcome.

I'm aiming for a soft, mottled background , predominantly green and am now introducing other colours into to provide interest. I'm pleased with the background and buds so far. I just need to fix the main flower. I'm bringing colours from the background into the flower and hope that will give it some lift. I want it to remain soft and subtle but not be boring.

Sunday, May 18, 2008

Virtual Sketch # 2

Tripod 8 x 10
copyright Jeanette Jobson


Last week I emailed a reference photo to those participating in a Virtual Sketch. This was Rose Welty's idea and she and I participated in one a few weeks ago. We decided to continue on and invited others to join which they did. Ten people in all took part, including myself.

The concept is simple. One person provides a reference image and you have a week to draw it, then post it on your blog. Its always interesting to see the different approaches to subjects. The subjects can push us outside our comfort zones but that's a good thing, its how we learn and grow as artists.

I've had my plate pretty full this week, and worked on Tripod, the cat, off and on during that time. Tripod has many obsessions. One of them is paper and in this instance he was lying on the paper I was drawing on. I don't think I've gone a wonderful job of this. His eyes are too far apart I think. This cat has a big square head, a real tom cat face and I may have over emphasized that and then the paw was a bit of an afterthought, so its too small. But there's always next time.

The following individuals took part in the Virtual Sketch this time and I'd encourage you to visit their blogs and see what they have produced from this reference. All drawings will be posted sometime today, Sunday, May 18th. I say sometime, as we didn't set a deadline for posting time, just the day. As people are spread over the globe, posting times will be staggered. Keep checking in during Sunday and you'll find some amazing art I am sure.

Rose, Jeanne, Stacy, Belinda, Jennifer, Gayle, Teresa, Katherine and Paulette (Teresa's image is posted on Rose's blog as Teresa doesn't have a blog)

Saturday, May 17, 2008

Juggling art

Fallen Fairy - value sketch
copyright Jeanette Jobson

I'm currently juggling five drawing projects.
  • I'm trying to finish up the drawing for the Virtual Sketch project that is due tomorrow.
  • I started the background for a cosmos flower in coloured pencil
  • I'm still working on the 1460 self portrait - nearly there.
  • I'm on stage three of the glass tutorial
  • I've completed the value sketch for a portrait of a friend's daughter, which is above.
I love this last pose. The child is three and loves to dance. She was whirling around, wearing a floaty chiffon dress - her 'princess dress' as she likes to call it. She collapsed in a heap on the floor with the dress billowing around her and sunlight highlighting the dark shadows around her. It was perfect, so I took some photos. I will see what medium I do this in. It may end up as pencil or perhaps coloured pencil. I never seem to know until I turn my attention to the piece what it will become.

Thursday, May 15, 2008

Art in the garden


Line drawing - White cosmos 8 x 10
copyright Jeanette Jobson


I am determined to get past the fear that I have of drawing flowers. Well not so much fear, but a dislike of the subject matter. So why don't I just draw what I enjoy drawing and not stress myself? Because I get lazy within my comfort zone.

Being comfortable doesn't:

...test my ability to observe.
...push me into an uncomfortable place and make me figure out how to get out of that place but keep the quality I want
...improve my ability to expand my technical expertise
...inspire me to try different subjects

I have drawn flowers off and on, mostly off over the last few years and am never really pleased with the result. Some are pleasant, but none outstanding. Today I did a line drawing of a white cosmos and buds. The shape is simple and I will do it in coloured pencil with a fairly strong contrasting background to make it stand out. Cosmos are one of my favourite flowers for growing in the garden. They aren't popular here as they are tall flowers -3 feet and more - and the wind tosses them around. I put them up against a fence in a sheltered spot and they are glorious.

Memorial University's Botanical Garden in St. John's has reopened for the season. Its still too early to enjoy blooms as spring, or the Newfoundland version of it, drags on with gloomy weather, making everyone depressed, cold and miserable. However, the Gardens are planning their 31st Annual Garden and Nature Art Exhibition and I may pluck up my courage and enter a couple of pieces. Perhaps one photograph and one drawing.


Submissions for the 31st Annual Garden & Nature Art Exhibition are welcome from local artists. Entry forms are available from their website or the Garden. Art exhibit submissions will be accepted at MUN Botanical Garden between June 3 - June 24, 2008, 10 a.m. - 4 p.m. The exhibition will be on public view Friday, July 4 - Monday, September 1 in both the conference room and display room of the field centre of the Botanical Garden, 306 Mount Scio Road.

The Botanical Gardens rambles over 110 acres of land within the boundaries of Pippy Park in St. John's and I drive past it each day on my way to work. I can glimpse signs of life in the perennial border and if the weather would only clear and dry up for awhile, I would chance a hike on one of the trails to get some photos and sketching done. The gardens expand regularly with plants that are hardy in Newfoundland and they also make seeds available at times which I have grown successfully. The best being a hardy clematis that took off like a rocket last year and has beautiful fluffy seed heads after the bloom has died.

Wednesday, May 14, 2008

Art manikins

Meet my new friend. She hasn't got a name yet and is a bit stiff, but is warming up nicely for her role in my what will be my new studio downstairs. I came across a sale on good quality manikins in an art store in Ottawa so decided I'd buy this 16 inch one. I used to have one years ago but with travels, kids using it for playing and just general over use, it became firewood.

Manikins are built in proportion to the human figure with flexible joints, allowing them to be posed in a variety of ways. Manikins are so useful for figure drawing from elementary to advanced artists and are great problem solvers when you haven't got the model in front of you. Besides human models, you can also purchase hand or foot manikins, even animal manikins.

I found this feather from one of the Embden geese as I got out of the car. It was so pristine and fluffy I had to pick it up and now the manikin holds it, waiting to be drawn. This may be the next drawing project...

Finally, a video of drawing an artist's manikin using geometric forms.

Tuesday, May 13, 2008

Drawing glass

Line drawing - broken glass
12 x 6 - mat board


For people learning to draw, the prospect of drawing glass, metal or water seems daunting and it is a question that I get asked over and over again.

This piece is the basis for a tutorial that I am creating for drawing glass. I love drawing glass or another other reflective surface. To me, its like a jigsaw puzzle. There are many pieces, consisting of light and shade and they only work when placed next to each other for contrast. Only then does the beauty of the surface appear as if by magic.

I start out with a detailed line drawing that can take quite some time, depending on the complexity of the piece. From there, I start putting the puzzle together, starting with the lightest values and working up the layers until I reach the darkest, leaving the white of the paper for the brightest highlights.

Establishing initial values - broken glass
12 x 6 - mat board

Drawing reflective surfaces demands patience and keen observation. If you take your time and slowly build your drawing, you will be rewarded. Drawing metal, glass or still water are all very similar in technical skills as they are all reflective surfaces. If you can successfully render one, you can render any of them.

I am using mat board for this drawing. I scrounged some samples from a framing shop as I wanted to test it as a drawing support. I quite like it! The surface is very similar to the Bristol Illustration board that I have used and is pretty forgiving. I will be using this again.

Sunday, May 11, 2008

White on black

Broken egg
White charcoal on artagain 9 x12


I wanted to play with some dark paper today and this was the result. Drawing on black paper brings surprising results and each type of paper brings its own challenges. Some seem to just 'eat' the white and need several applications before it makes any impact.

The other problem with using white on black paper is that its difficult to erase cleanly. It erases fine in small areas that you'll be going over again, but for larger sections, there is a ghost left behind that doesn't disappear and too much rubbing will mar the paper's surface.

I'll keep working on this one and bring the smudged areas under control. I used some coloured pencil for the exposed yolk in this and like the touch of colour it adds. I'm not happy with the overall texture of the egg shell and will try to blend it to a smoother surface if possible.

Saturday, May 10, 2008

Self portrait update

Self portrait - 1460
copyright Jeanette Jobson


Self portrait crop
copyright Jeanette Jobson


I've worked on the self portrait version of the 1460 Portrait of a Lady and its a little odd seeing myself thrust back over 500 years in time. I have always had a fascination with history and often wonder what life would be like then. Perhaps for the wealthy it held more appeal than for the average person, but I'm sure without the benefits health care and lifestyle, life would indeed be shorter, no matter what your status.

Friday, May 09, 2008

Virtual sketches & lists

Here is a sampler of the life and landscape of Newfoundland.

Rose Welty and I have banded together, along with several other people to participate in another virtual sketch. I have provided the image this time and we will work on it over the next week and post it on Sunday May 18th.

It is interesting to see each person's approach to a drawing, whether they keep it as a simple sketch or turn it into a more elaborate drawing.

If anyone else is interested in joining in on this project, just contact me or Rose and provide your email address, then the reference image will be sent to you. Its that simple.

Participants: - Updated 5/15/08
Jeanette, Rose, Jeanne, Stacy, Belinda, Jennifer, Gayle, Teresa, Katherine and Paulette.

This weekend I have to knuckle down and complete some tasks. The list is getting longer and I know there'll never be enough time, but I'll try to see what I can accomplish.
  1. Finish the drawing workshop presentation
  2. Start a new drawing lesson for an online site
  3. Work on the 1460 self portrait
  4. Start a rough of the virtual sketch
  5. Revamp my artist statement and bio
  6. Create the thumbnail and rough in shapes for the right side of my symbolic self portrait
  7. Prep for teaching a private lesson next week
  8. Develop and order new marketing materials

Thursday, May 08, 2008

Drawing day

Portrait of a Lady - self portrait
after Rogier van der Weyden
copyright Jeanette Jobson

Awhile ago I did a study of Portrait of a Lady by Rogier van der Weyden, as an exercise in drawing. I was encouraged to try the portrait again as a self portrait by Katherine Tyrrell at Making a Mark and thought the idea would be fun, so here is the line drawing, using myself as the model. So far, it looks a bit like the Flying Nun! There is something about putting myself into 1460 costume that's appealing.

Drawing Day 2008

There were several reasons for my re-entry back into art after an absence. One was encouragement from a friend. Another was the use of online art communities. After discovering WetCanvas and the diversity of materials, information, support and challenges, it was a seamless transition back into the art world. I have dabbled in other online art communities, some more actively than others, but continue to return to WC where I know I will continue to grow and learn in that environment.

For many online art communities are safe environments for expression and great sounding boards for growth in art of all forms. To encourage drawing and online communities, June 7, 2008 has been declared Drawing Day.
Drawing Day is a worldwide drawing event encouraging everyone to drop everything and draw for the sake of art. The internet is an open canvas. Help us create 1 million drawings online this day and boost online art communities.
Will you be drawing on June 7th? I know I will.

Wednesday, May 07, 2008

I'm back

The Ruins, Mackenzie King Estate
Gatineau, Quebec


Travels are over for a little while and its back to reality tomorrow in the form of work. However, it was a good trip and I enjoyed myself in a variety of new places and experiences, most of them self indulgent luxury.

Here's a peek into one of the places that I visited on the Mackenzie King Estate in Gatineau, Quebec. The day was warm and lovely and it was followed by spending the rest of the day soaking up the sun at Nordik Spa in New Chelsea.

Wednesday, April 30, 2008

Home made charcoal

I was reading about making charcoal and it seemed pretty straight forward so I thought why not? There are usually clean up fires of branch limbs from cleared land and firewood burning in late winter and early spring while the ground is still wet, so a few experiments took place.

Pieces of grape vine were wrapped in double layers of heavy foil and placed near the edge of the first fire. It got too hot and they disintegrated as well as the foil more or less. We always learn from our mistakes, so the second batch was wrapped in foil again and placed in the ashes of the fire was it was dying down. The is a lot of heat in a large fire and it still is hot the next day which was when this bundle was retrieved. And it seems to be a pretty good success. Some pieces are not completed carbonized but for the most part, they are quite usable and are what I would class as 'hard' charcoal.

I'm not sure how to create the different levels of softness in charcoal. Is it the type of wood used or the length of time it is carbonized I wonder? I have lots of willow on the property which is what I will try next and there are still grapevine cuttings that I'm keeping for future burns.

My sleeping patterns vary and I'm usually up very early which was probably lucky for Tripod, the cat this morning.

I was sitting in the dining room writing and having coffee. The cat wanted out at 5am and around 6 I heard strange sounds outside. It sounded a bit like the geese in the pen in the woods but like they were a bit hoarse. I ignored it for a couple of minutes then it continued so I got up and looked out of the living room window and saw Tripod who started coming towards the house when he saw me.

Then I saw the fox. This was the sound I had been hearing, the fox barking.


This was a large fox and pretty skinny, but he had the cat on his radar big time. He was in a crouch almost the same way as a cat about to pounce on its prey. His lips were back showing his teeth and his nose wrinkled up in a snarl. For a split second I didn't know what to do then reacted, racing outside - still in pj's and starting waving my arms and shouting at the fox and, stupidly, telling Tripod to stay still, as if he would.

The fox looked at me and backed up about 2 feet, but was still intent on Tripod who was coming towards me and the safety of the house. I moved towards the fox again, and part of me wondered 'what if this fox is rabid?'. The fox moved off a few more feet and we kept up this game right up to the meadow when I resorted to caveman tactics - throwing rocks at it.

He finally ran across the meadow into the woods and I was left in the field realizing it was cold and wet out. The cat was none the worse for wear, but telling me all about it in no uncertain terms as he ate his breakfast.

This fox has been around for a few months and has become a nuisance. It attacked the Embden geese last month, killing the large male and badly injuring another, then also attacked BD and Buddy, my favourite Muscovy ducks leaving Buddy limping and uncertain of his fate for a week. Foxes don't usually act like this. They are noctural and should be very wary of people, scooting off at the first sign of one. It makes me wonder if something is wrong with this animal.

I can't prevent the cat from going out nor the geese or ducks, but its always a worry when things come out of the woods. There is always something trying to eat something else on the farm.

Meanwhile, tomorrow I go to Toronto for some meetings, then off to Ottawa on Sunday to stay with a friend for a few days. I will have my laptop with me, but I don't know how much time I'll have to make posts. I will be hunting down whatever art supply stores while I'm there and will of course have my sketchbook with me. No matter where, there are always drawing opportunities - and space in my suitcase for more art supplies.

Posting will resume on Thursday if not before.

Tuesday, April 29, 2008

Rogier van der Weyden

Portrait of a Lady - c. 1460
Rogier van der Weyden

There is something very appealing to me about exploring paintings or drawings from the past. I love looking into the historic background, the clothing and the lifestyles of the period. I like examining how the artist created what he or she saw or imagined and I especially like the portraits.

I treated myself to a calendar around Christmas time that is produced by the National Gallery of Art and consists of a page a day of different art works. Today's image is Portrait of a Lady by Rogier van der Weyden, painted in 1460.

I sat here tonight doing a line drawing of this image , trying to recreate the peaceful (or was it bored) expression on the woman's face and the delicate folds of the gauze head dress. I love how van der Weyden paints the hands in all his portraits in such detail. But in this particular portrait I think the hands are out of porportion and look far too small. But it doesn't detract from the overall image.

I've made her features too delicate in my sketch. The face needs to be strengthened and made broader perhaps. I'll be exploring more of van der Weyden's portraits and see how they translate into drawings and I may even tackle one as a painting.

Monday, April 28, 2008

The Joys of Spring

There is a northeast flow of air which means cold, damp, foggy air and a northern wind that blows ice our way. The days are grey and all of the colour seems to wash out of the landscape. Kevin Spacey, when filming The Shipping News here, was quoted as saying that Newfoundlanders have four seasons: summer, fall, winter and misery. April is misery. There are teasing glimpses of heat and hints of green new growth only to be smothered by freezing rain or days socked in with bonechilling RDF (rain, drizzle and fog).

By the way, don't judge Newfoundland by The Shipping News. Its beyond depressing, that movie, and doesn't bear any resemblance to the reality of the province.

So in weeks like this, I take pleasure out of small things like these on the drive home tonight. Nor'easters bring these 10,000 year old chunks of ice onto my doorstep where they sit, melting in what they consider warmer waters. When the sun comes out, it hastens the melting process and pieces of ice break off, called 'bergy bits', that nestle up against the rocks on the shoreline, turquoise lines going through them like some rare aquamarine or opal gemstone.

With the snow melted, animals start stirring from the bowels of the forest and I caught a glimpse of this cow moose out of the corner of my eye making her way through the trees towards to road. We made eye contact and I hoped no car would come the other way as she trotted out onto the road for a few moments then leaped over the guard rail and was gone again. For such large animals, they can move so quickly through heavy brush and trees it amazes me.

Moose, however, are a real danger on the roads in this province with many fatalities due to vehicle/moose collisions. With long legs, these animals are hit by the car in the legs so then end up sliding across the hood of the car straight into your windshield. Not a happy ending for man nor beast unfortunately. And with the woods leading right onto the roads in many areas, you don't see the moose especially at night until it is too late to stop.





It sometimes pays to have the camera handy in the car, even if fog and rain don't make the best photo from inside the car.

Saturday, April 26, 2008

Slow art

The Jumper - work in progress
Coloured pencil on Canson paper 11 x 14
copyright Jeanette Jobson


I never know if its because of internal or external factors or simply because the planets are aligned in your favour, but some days drawing just is easier than others. Other days you can struggle forever and nothing comes out as you want it. Today was the former for me and I'm hoping it will stick with me for the rest of the weekend so I can make some progress.

Today I started this drawing of a boy about to leap into the warm waters of a Florida lake. Being involved in the water safety industry, such images always make me a little nervous, even though I'm sure the child was just fine after his plunge.

Its only about 2 hours into the drawing right now and has quite a number of hours left to bring it to life, while it goes through its many stages before resembling what I originally wanted. Time is one of the points that I constant drum home to drawing students. So many want to draw a masterpiece in an hour and get frustrated and trash the piece before its barely begun. Instant gratification has always been with us but these days it seems more prevalent. No one can wait for anything, from food to drawing time.

Maybe its my nature, but I love the time it takes to develop a drawing and seeing little details emerge over time. Detailed coloured pencil drawings can take up to 20 hours or more to complete and I know that this frustrates beginners constantly because they don't under fully the process of building a drawing slowly. The knowledge of time involved in creating a drawing or painting often escapes commission clients as well when they expect a large detailed drawing in a few days and to pay next to nothing for it.

Artists are treated so differently than other craftspeople with so many expectations of generosity in terms of donations of time, expertise and product. Yet artists are, for the most part, those living on minimum amounts of money, grasping at grants and teaching or doing other jobs in order to make ends meet. Doctors, lawyers, mechanics, plumbers or carpenters are not asked to provide their work for free or are expected to negotiate, so why artists?