Saturday, August 30, 2008
Abstract
I've never really explored abstract art or have been pulled in that direction, but there was an image of seaweed that seemed to call out for an abstract interpretation. I played around in Photoshop for awhile and this was the result. I'd like to use the same image and try it in watercolour, which I think would suit the subject, even if it would be difficult to determine the subject in the final piece.
There are some schools of thought that abstract art is easy, but its quite the opposite. You need to have the required knowledge of colour, composition and technique to make it work well. The completed piece will have no semblance to the original inspiration. Abstract art provides a vessel for experimentation and expression in art as you move colours and shapes around. You are freed from having to create something that looks comparable to something else.
I'll have to experiment a little more with this process and see what I come up with. A good class in abstract art would be useful, but I don't think I'll find one in my area. However, if anyone knows of one, please let me know.
Friday, August 29, 2008
Fitting it all in
I've had a brutal week in many ways and haven't fitted in much in the way of drawing or painting, except this little sketch of a squirrel. But this is a long weekend (Labour Day) in Canada, so I hope to make up for lost time.I have a portrait to work on, a painting to start and some jewelry to create. The day shall start early tomorrow!
Wednesday, August 27, 2008
Journals
While I was clearing out some things from my mother's house, I came across an old pastel drawing that I had sent to her many many years ago. It made me cringe a little to see it and to know that I had moved forward so much since then.
It made me think of how we begin as artists and the practice and knowledge that we seek helps us grow and become confident in making marks on paper. It seems like such a slow process of learning at the time and we don't know until we look back and reflect or compare works just how far we have come in our journey and how much we have learned.
I have a little journal by my bedside that I write and draw in at night before I sleep. I wish I had kept one years ago when I was just starting my journey in art. I would love to compare them now and see the changes and the similarities. For those starting out, keeping track of where you are, where you have been and where you want to go are important as a measurement of growth. I have gaps in my journey and areas that are sparsely populated, except in memory.

Perhaps I'm trying to make up for lost time now. I think as we age, we realize how much of life we let pass by and what opportunities we miss for a variety of reasons. I produce as much art as I can because I hear the clock ticking. There are so many ideas and so little time - truly. I feel as if I want to stay up 24 hours straight just to fit in more time to capture images of life.
These images are included in that night time journal. They are images from my head, sparked by any number of things that happen during the day and sit in my brain waiting for release. Some go on to be full drawings or paintings, others find their contentment in simple form on a page.
Tuesday, August 26, 2008
Double portrait
I've been back to work this week and its pretty hectic so far, yet only Tuesday. I'm hoping I'll be back in control before the end of the week.
I've started a double portrait, but am only showing one half of it today, as the other is still in progress. This is the line drawing and is on Canson paper. I will be transferring it to Bristol 500 Plate and using a mechanical pencil to complete it. I haven't used the Bristol Plate before so it will be interesting to see how it performs. Most of my work has been on the lower Bristol 300, mostly because it was all I could get here. I ordered the 400 and 500 some time ago but they've been sitting and waiting for the right piece to come along. And yes, its still my stash, I haven't bought anything new. Still working on depleting some of my art cupboard.
The image is my eldest daughter and her fiance. Sorry S, he's not finished yet! The eyes are making me crazy!! But soon... I'll do some more work on him tonight and hopefully have the full master drawing in a day or two.
Saturday, August 23, 2008
Reflections
copyright Jeanette Jobson
I was coming in from taking some photos in the garden yesterday and as my hand was on the door to go in, I noticed my reflection in the glass of the door. I hadn't really noticed before, but perhaps because the sky was clear and the sun was shining it stood out more.
This line drawing is from a photo I took of the reflections that I saw. I do need to clean the glass on that door, don't I?
An old cabinet was taken apart and a mirror from inside it was propped up in the barn til it can be disposed of. However B.D. and Buddy, the Muscovy ducks think the mirror is the best thing since sliced bread. They stand or sit in front of it for hours, gazing at their reflections. Maybe they think its new handsome ducks come to visit them. Whatever they think, its a hit with them so it may just have to stay. Now who gets to clean off all the duck 'beak prints' on the mirror...
Friday, August 22, 2008
Meercats and moose
Despite the fact that I was on holiday, I was called in to work to deal with something yesterday. I guess that ups my karma rating somewhere down the road.
I haven't slept well lately and am up very early in the morning which is a good time of day for me to draw. I'm fresh at that point and drawing can push other thoughts to the back of my mind and let me relax for awhile.
That early morning start was where this little guy appeared from. Meercats are interesting creatures, almost catlike in their facial features and forever alert. I'm doing some simple global shading for this and am enjoying the process. Some pieces just slip off the end of the pencil without effort, while others are trial and error, and error and error...
A young bull moose keeps wandering into the garden for the last two days, startling everyone who sees him as he comes so close. As long as he stays out of the vegetable gardens and doesn't walk in the flower beds, he'll be allowed to hang around. Even though they are fairly timid usually, this guy seems overly curious and not scared by noise or people. I just don't trust them or like coming face to face with one around a corner, so he'll be encouraged to move on.
For those who want to take part, the August Virtual Sketch Date reference image is up. Just leave a comment on the blog if you're taking part.
Thursday, August 21, 2008
Bucket O' Duck
I posted the photo that I used for this drawing awhile ago. It was one of the Pekin ducks who in her enthusiasm to get the water, got into the bucket then was stuck. Of course a photo had to be taken and here is the sketch from it.
Everyone thinks that ducks are enthusiastic about water, but some just aren't that interested. There are groups that go to the pond each day, but others, like the Khaki Cambells, who never venture there, preferring to dip their heads in a pail of water and pretend.
Then there's the Muscovy ducks who really don't like getting wet at all, not even from a shower of rain. BD and Buddy race to the barn at the first hint of rain and flee from drops of water from a hose as well. BD will go through the full motions of taking a bath in the dew on the grass in the morning and still come out as dirty as he went in.
Wednesday, August 20, 2008
Oils update
I worked for awhile today trying to save the plein air painting I did the other day and am calling this one done now. The huge old pines in the background are mostly dead, but still soar into the sky, almost looking like palm trees at times.
I adjusted some colours from my initial one hour painting and tightened up a few areas. The water in the lane caused me problems. It went from looking like a puddle to a waterfall and back again several times before I tamed it sufficiently.
Oils are always an adventure for me because they are so very different than working with my usual graphite. They let some of my inner child come out in terms of moving squidgy paint around on the canvas and palette and getting messy. Having paint on the end of your nose or in your hair is a right of passage for artists. I always seem to manage both for some reason.
Tuesday, August 19, 2008
Another portrait

I've been playing with another self portrait. Yeah, I'm out in the woods and don't have any other victims who want to pose and I always need the practice.I thought I'd try watercolour pencils for this and here's where I am so far. I add most of the dry colours that I want, trying for even coverage, as I don't want pencil lines to show through. The lighting is strong again, early morning sun which I think I like because it means I have less to paint, leaving the white of the paper for the strongest highlights.
Watercolour really is hit or miss for me and I need more practice. I'll see how this one progresses and if it will see the light of day or not.
Monday, August 18, 2008
Plein air oil
Today was warm and sunny so I decided to take advantage of the weather and try a little 'plein air' with some oils. I loaded up my bag and wandered around the lanes surrounding the farm til I came across this entrance into the woods. We had torrential rain on Sunday so the lane was filled with water.
I decided I would give myself an hour and see what I could come up with. This is the result. Rough but with potential.
Unfortunately, it was pretty windy today, so I spent a fair bit of time hanging onto the canvas to prevent it taking off. I also used a paper palette which, even though anchored onto my wooden palette still flapped around like a wet fish, premixing some of my colours!
I took a photo of the scene so that I could work on some details once I have a chance, perhaps later tonight or tomorrow. I haven't done plein air with oils for a long, long time and throughly enjoyed it, despite the wind.
Saturday, August 16, 2008
This little pig went to market...

The pigs went to the processor last Friday and I was sorry to see them go. I become over attached to some animals on the farm and the pigs are one of them. I know they are intended for food, but I still treat them as pets, going to see them and rub their noses which they love. I felt more guilty than usual when this group of five went. I had secretly given them names and their personalities came through as they grew.
They were loaded into specially made crates and put on a trailer for the trip. At least the day was warm and sunny and they seemed to enjoy the warmth. Even the trip from the barn to the trailer, sailing through the air via a forklift on the tractor didn't faze them.
I won't go into my rant about animal treatment, except to emphasize once more, that the world needs to know where their food comes from and demand humane treatment for raising animals.Goodbye piggies...
Friday, August 15, 2008
Starving artist sales
My holiday in part is taken up with remodeling my kitchen. That task is moving ahead but does take time - and money. To top it off today, a new refrigerator had to be purchased, as the old one is on its last legs and keeps weeping onto the floor, looking for sympathy. With that dent in my bank balance, I'll be the original starving artist, just one with a new fridge.
I've done some thinking about art sales and how they are sold and have branched out into a couple of areas to see if they will work. I have put some of my jewelry and art pieces on Etsy and have also started a new sales blog - The Starving Artist's Daily Sales. The purpose of the second blog is for art sales only which cover a range of prices, making art affordable for everyone. Daily sales is not so much the time frame in which I should produce, but more the fact that individuals can find something on sale every day.
Thursday, August 14, 2008
More local sketches
copyright Jeanette Jobson
Today was another lovely day so I took a little time off from my kitchen renovations to do some sketching and soak up some sun. I headed northeast to Pouch Cove, where I once had a house overlooking the ocean. I sat on a bench at the edge of the cliff and watched the waves crash against the rocks and felt the sun warm me while I sketched this scene.
Pouch Cove (pronounced "Pooch" Cove), is one of the oldest settlements in Newfoundland. The exact date of its settlement is unknown but it is documented early as 1611, only 28 years after Sir Humphrey Gilbert claimed the island for England. Pouch Cove's dangerous harbour was the primary reason for its early settlement. Although this sounds paradoxical, keep in mind permanent dwellings were forbidden by law in the 17th and 18th centuries. A dangerous harbour kept away Royal Navy ships seeking the illegal settlers, as well as the pirates who preyed on them.
I then drove through the backroads and ended up in St. John's, where I headed towards Bannerman Park. This park was opened in 1891 by Sir Alexander Bannerman who donated the land for a park.
The park was busy with people today, as many inner city people come there to sit in the sun or take their children to the park to play. The ink was running out on my pen and I did a hurried sketch of the bandstand in the middle of the park. I hadn't had many people comment today but in the park a less than savory person, who probably was fairly harmless, kept hanging around striking up a conversation and picking up old cigarette butts so he 'could have a puff later'. "What can you do when you don't have no money?" he said, perhaps hoping that I would find something in my bag for him. I decided it might be a good time to move on.
Wednesday, August 13, 2008
Gummi bears

carbon pencil
copyright Jeanette Jobson
Gummi bears scare me. They also taste disgusting, more the texture than flavour, all rubbery. You don't so much chew them, but mash the rubber into a form that you can swallow.
Have you ever really looked at their little faces, if you can call them that? They look like a cross between aliens from outer space and those little pottery Inca god statues. They're quite creepy...
Despite their drawbacks, they are fun to draw and this study was a warm up for a colour drawing I will do of some gummi bears. I took some photos today on one of those rare moments when some sun broke through the clouds and it made the little aliens glow with light. Or maybe they do that anyway.The decision now is what medium to do a colour version in. Coloured pencils, oils, pastels....
Other facts about gummi bears:
From Jason Freeny at Moist Productions, a little lesson in gummi bear anatomy...
The Gummi Bear originates from Germany where it is hugely popular under the name Gummibär.- The traditional Gummi Bear is made from sugar, glucose syrup, starch, flavouring, food coloring, citric acid, and gelatin. There are also some types of Gummi Bears made with pectin or starchgelatin, making them suitable for vegans.
- Gummi bears, and other gummi candy, stick to teeth and may cause tooth decay. However, gummi bears containing the cavity-fighting additive xylitol (wood sugar) are now being tested.
- There has been some concern that gelatin, a key ingredient in most gummi bears, may harbor prions. Prions are misshapen proteins that cause BSE / Mad Cow Disease in cattle and CJD in humans. Based on studies, the United States FDA and various other national organizations and countries consider the risk of BSE transmission through gelatin to be minuscule as long as precautions are followed during the manufacturing process.
Monday, August 11, 2008
WIP portrait







I've attempted to show a work in progress of a watercolour self portrait. As usual, I got over involved in the creating process and forgot to take all the necessary images that are needed to understand just what I did to get to the final image. This is painted on Canson 140 lb paper 11 x 14.
The bottom image is my trusty box of watercolours, well used and well loved along with the line drawing.
I then did a wash of yellow ochre and burnt sienna to cover the flesh.
I started the background, using loose washes of cadmium orange and ultramarine blue, then added some basic value shapes to the hair.
I continued to add layers, working all sections of the portrait. using similar colours. My palette consisted of yellow ochre, burnt sienna, ultramarine blue, cadmium orange, sap green. Its there where the stages got lost to my creative instincts.
I continued enhancing shadows and refining shapes til I reached the final image. There are parts of it that I like and several parts that I don't like. The colours aren't as transparent as I wanted - I know I worked it too much and muddied it in places. I also know that passages aren't as dark as they need to be. I am aware that is a constant challenge for me, to increase the darker values in watercolours. But each piece brings me a little closer to where I want to be.
Sunday, August 10, 2008
Watercolour portraits
.Its been another grey wet day so I've been practicing some portraits. This is the start of yet another self portrait. I'm trying this in watercolour and this is the initial line drawing. I've had to darken it a lot to be able to show it here, so the edges are a little greyed too.
I've done a few watercolour portraits over time and though I prefer dry media, I like to paint from time to time. Watercolour does take some planning and I probably spend more time thinking about where I'll place my next stroke, what the dampness of the paper should be or if I've chosen the right colour or value.
I have an ancient set of Windsor & Newton watercolours that I bought when I lived in the UK. That in itself shows how infrequently I use watercolours! Ancient or not, they work beautifully and when I haul out my old brushes, it brings back memories every time.
I've been asked what palette I use in my portraits and I find that very difficult to answer as it varies so much for each subject. However, there is a base of 'flesh' that I tend to use which consists of yellow ochre, burnt umber and burnt sienna applied in varying strengths, depending on the subject and the lighting. I keep adding layers trying not to overpower the piece or muddy it. I've been playing with different colours in shadows and hair, trying more intense blues, greens and purples that look a little unorthodox, but the values work.
Saturday, August 09, 2008
Local sketches
This has to be the worst summer in terms of weather this year. The rain and cool temperatures just won't go away. I took advantage of a reasonable day yesterday to do a little sketching locally. I haven't done a lot of on site sketching this year so it was good to get out and just get lost in drawing again.
My drawing drew lots of interest this time as at each place, tourists and locals kept coming up to me asking me what I was drawing. I don't usually mind people asking, but sometimes constant questions impede my progress or interrupt my ability to stay focused.
The first sketch is in Flatrock, overlooking the harbour. There is a long piece of land jutting out from the shore that is known as The Beamer. It is topped with many large boulders; left overs from a glacier that swept the area many thousands of years ago and gave the area its name.
I drove down the coast a little further to reach Torbay and sketch the cliffs overlooking the harbour . The name Torbay comes from an area of the same name in Devon, England and was first mapped in Newfoundland in 1615 by John Mason. The word is the old Anglo-Saxon "Tor" which means a tower.
I'll continue to document local scenes over the summer and these couple of weeks off will provide some free time to access areas that I usually don't have time to visit.
Thursday, August 07, 2008
Cupid

When I was a small child, my grandparents lived with our family. They had separate living quarters, a little like the original 'granny annex' but we came and went and shared a formal living room. In that room there were a number of antiques. Of course then I had no idea of their worth, except that a couple of pieces appealed to me and I was occasionally allowed to touch my favourite, the sculpture of a knight on horseback.
The commanding pieces in the room were two huge framed prints on either side of the fireplace of a curly haired child, called Cupid Awake and Cupid Asleep. These were prints of the photo taken in 1897 by Morris Burke Parkinson of Josephine Anderson. Josephine was the daughter of a friend of Parkinson, a single mother who worked and sometimes left her child in Parkinson's care. Josephine was four when the photos were taken and she continued to model for M.B.Parkinson for many years, some of the photos are in the Library of Congress in Washington, DC. The later prints of Josephine are also very sought after collectibles. Josephine died in the 1970s.
I spent hours staring at the face of the child in these portraits, the child that I was, thinking they really were a fairy of some kind. After my grand father died in the early 1960s, the pieces were sold by my grandmother, money was a factor I presume, and I didn't really think of them again for years until I was given a large Cupid Asleep print for which my sister found in Ottawa. I wanted the Cupid Awake to match it, but had trouble finding one in a similar size. Then a year or two later I was given a small pair for Christmas, which had been hunted down by a friend who is an antique dealer. I have the original larger Cupid Asleep and now the smaller pair which I framed and now keep as a reminder of those large portraits my grandmother had.
Looking at these photos now, I think how well they would look as drawings. The sepia tones and hand tinted pink cheeks, along with the dramatic lighting would make a lovely exercise in values. I may just try one and see what happens. Carbon pencil or charcoal perhaps...
The smaller pair are, I believe, some of the original prints, dated and signed with copyright while the larger print doesn't have any information on it. The colour in the larger print is a reddish brown while the smaller images are much truer to colour in terms of sepia and the pinked cheeks as well the image quality is much crisper.
Parkinson copyrighted his prints in 1897 and they were distributed by Taber-Prang Art Company of Springfield, Massachusetts. In 1908, The Ohio Art Company began selling metal picture frames in which the Cupid prints were displayed, some of them hand tinted. Sold at Kresge’s, Sears, and Woolworth’s, people bought the frames for the pictures. The Cupids were immensely popular and were seen in millions of homes across the country. In 1938, Ohio Art Company (makers of Etch a Sketch) bought the copyright from Taber-Prang after their bankruptcy. Originally sold for a nickel or dime, the Cupid photos now command high prices, as much as $450 a pair in larger sizes.
A hibiscus was on the Weekly Drawing Thread at WetCanvas and I found myself doing a few minutes of work on it at lunchtimes throughout the week. Flowers are not my forte and never will be, but I still like to test myself and push into the dark zone now and then. :)
Wednesday, August 06, 2008
The Regatta
Here is a recent photo of my 18 month old grand daughter having a little tantrum before bed one evening. I don't love the photo because she's obviously unhappy, but I do love it because it shows such natural expression. Can't we all identify with that total breakdown of frustration and anger that we'd sometimes like to express like this, but have to keep bottled up inside because we're adults?
Life's unfair my baby, but you get used to it.
To escape some of the madness that I call work, I'm taking a couple of weeks off. During that time I have some personal things to take care of and some art to catch up on. I hope to do a little travelling, even it is only exploring some of my surrounding areas. There are many places and sights that I pass by, some even on a daily basis, that I overlook. Details that they provide turn them into something extraordinary and turning those details into drawings or paintings make them unique not only to me but to others. I will still be posting when I can during this time. I haven't been posting as frequently as I have been and find that many bloggers aren't during the summer months. There are so many other things to catch up on during a short warm season.
Here, on the first Wednesday in August, the Royal St. John's Regatta, the oldest organized sporting event in North America., is held and it is a municipal holiday. The holiday for the Regatta is also a floating holiday which is weather dependent. The wind plays a big role in this so the committee must decide early in the morning whether or not the forecast is suitable.
The purpose of the Regatta is competitive rowing in fixed seat shells. The shores of the lake on which it is held are also lined with concession stands and if the weather is good, you can find 50,000 attending. This year weather has postponed it and it may not go ahead tomorrow either. This has been one of the worst summers on record. We had a slow start with a cold wet spring and early summer, then a blistering heat wave and now back to chilly temperatures and drizzly rain again.
I haven't attended the Regatta in years as I don't like being jostled in the crowds. The races can be interesting but more so the championship ones at the end of the day. So most of the time I take the holiday that goes along with the day and catch up on other things at home which I likely will be doing again this year.
Tuesday, August 05, 2008
When I'm 84
84line drawing, graphite 11 x 14
copyright Jeanette Jobson
My mother and I have a relationship that has never been an easy one, even now. I try to assist in her life when I can, but its hard to do when the other person is unwilling. There are a lot of issues, going back over many years and I choose not to dwell on them most of the time.
I had taken some photos at the party and found one that I thought I would draw. My mother hates photos of herself and would also dislike a drawing of herself as well, especially one that showed her age or characteristics that she denies.
I recall sketching a portrait of my father many years ago and he had a small moustache. I went to her house one day and saw the portrait tucked away and the moustache was missing. I asked her about it and she said she never liked that moustache so she erased it!















