Friday, August 04, 2006

Terrier

I painted this little terrier in my Moleskine tonight. It is one of the reference images from the Weekend Drawing Event at Wet Canvas. It is a terrier, perhaps a crossbreed, but to me looks more like a fox, or is that my rendition of it?

Since my own dog was put to sleep on December 1, 2005, I haven't considered the prospect of having another dog. Not seriously. And I don't think that I will have another dog. While they are great fun to have around and make good companions, my time is limiteid and circumstances make it difficult to have a dog again and give it the attention it deserves.

So for now I will content myself with painting or drawing and adding to my collection of virtual dogs. That is, unless some waif and stray turns up on my doorstep unexpectedly. It has been known to happen...

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Thursday, August 03, 2006

TS Elliot & Mungo Jerry


Extremes you think? Not so in reality. Their name was inspired by the poem "Mungojerrie and Rumpelteazer", from T.S. Eliot's Old Possum's Book of Practical Cats and the musical CATS.

The image here is of Paul King in his heyday - and me similar circuit. Probably around 1975 or 1976. This photo of me was taken in a pub in Ireland - in Youghal - after a trip on a sailing yacht. Not my favourite activity! Its interesting too look back and remember what we were,how we looked and remember what our dreams were way back then.

Mungojerrie and his partner in crime, Rumpleteazer, specialize in petty theft and mischief. In Eliot's original poem "Mungojerrie and Rumpleteazer", they are depicted knocking over Ming vases and stealing items from their human family. Mungojerrie is also mentioned in the poem "Macavity, the Mystery Cat" as being one of Macavity's agents.

Onstage, Mungojerrie and Rumpleteazer are usually costumed as orange, black and brown calico cats. In the original Broadway production, Mungojerrie doubled as another character, Coricopat. The "Mungojerrie and Rumpleteazer" song was sung by Mister Mistoffelees. Both of these were changed a few years into the run of the show (So that in more recent productions, it is Mungojerrie and Rumpleteazer who perform the number to there own unique dance number where both latch onto each other and do a "double windmill" across the stage). By the end of the recent number both are eventually spooked out of the junkyard by the jellicles. In addition, two distinct versions of the "Mungojerrie and Rumpleteazer" music exist; one is upbeat, the other has a slower tempo.

So what's the connection here, you're asking?

A long time ago, in the mid - late 70's, in the days of my mis-spent youth, I lived in Sunbury on Thames, Middlesex, in England. For awhile I lived and worked in a pub, called The Magpie, right on the river. And there I met a number of famous and infamous people. One of those people was Paul King Paul is a very talented artist and worked at Shepperton studios as a prop maker on the Bond film, Casino Royale. He also formed a folk band, 'The Russian Front' with Steve Bloomfield who later found great success with pop/rockabilly cross–over band 'Matchbox'. Steve was co–producer on 'Lyin' Again' and 'Rosalyn'.

He had been to see local band, The Good Earth several times whilst back in England, sat in at some of the gigs and eventually became a full time member. Primarily a jug band, they played some memorable gigs, none more so than their appearance at the 1970 Hollywood music festival on the bill with such luminaries as – Black Sabbath, Traffic, Jose Feliciano and the Grateful Dead.

1970’s…
The band was now called Mungo Jerry and their debut single, In The Summertime became an enormous hit worldwide with Paul on banjo and jug. More hit singles and albums followed, including tours all over the world before the ‘inevitable’ break-up in 1972.

Working on the south of England pub and club circuit, Paul eventually joined forces with old friend and washboard player Joe Rush, Colin Pattenden (bass, Manfred Mann’s Earthband) and violin/mandolin man Mike Pigott in the Jigilo Jug Band during 1977. They recorded a five track 12” single – 'Live At The Limping Whippet'.

During 1978 and 1979 Paul continued his association with Denny Laine and members of Wings in a new band called Rhode Island Red. The band line up included Colin Pattenden, Jamie Moses (Merlin and Paper Lace) and John Hollywood (Hellraisers).

Paul used to come into the bar in the pub where I also worked part time. The landlord persuaded Paul to use his artistic talents in the form of a mural in the upstairs bar of the Magpie and I used to help when I had time. His band used to play there on Thursday nights and the bar was PACKED - five deep on those nights. It was where I learned how to be a barmaid for the first time...pull several pints of beer at once, learn what shandy was and not to pull a face when the customer asked for Pernod and Coke. Bleeeeech

On to the present - but the past too. A sketch of a surfer contemplating the waves in California.


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Wednesday, August 02, 2006

Aging

There is something very satisfying about drawing portraits of mature people. Their faces have character and substance. Its as if you can read their life from looking at their faces.

Yet people, especially in North America, do everything in their power to avoid aging-
hair dye, cosmetic surgery, lotions and potions, diet and excessive fitness regimes - and most end up looking like characatures of themselves. Seventy-five year olds pretending to be 30 and looking like clowns instead. There is something to be said for growing old gracefully.

No, I don't mean that you should lie there and wait for death but just not try to be something you are not. I came across this site dealing with 45 signs of aging and how to address them. The ironic thing is, even if you do all these things, guess what? You will still age and you'll still die eventually. Its programmed into your body and there is nothing that you can do to prevent it. The people and organizations that promise you youth and longevity are happily lining their pockets with your naievity.

So why do so many people frantically try to turn the clock back? Do they want health, flexibility, and opportunity or do they long for freedom and the ability to make their own decisions independently once more. After all, by trying to be youthful, what do you acheive? Why are people so scared of saying how old they are?

I truly never understand the fear that is associated with aging. My fear of aging is lack of health and lack of finances, both which will most like affect me. But whether I have grey hair and wrinkles while I am old,sick and poor really makes no difference. Its hardly likely that I'll be roaming the streets looking for a sugar daddy at 80 years old.

Why do we age? Why can’t we be like sea anemones that live indefinitely (barring some awful accident, such as a whale chomping it into bits)? Or why can’t we stay 11 years old, the age when our regenerative capacity is strongest? Some scientists figure that if we maintained 11-year-old bodies throughout our lives, we could live 1,200 years, barring any significant diseases or accidents!

Aging is one of the least understood processes in science. That doesn’t mean there aren’t some perfectly sensible and likely theories, and very possibly you’ve heard one or two. Like the theory that our cells get hit over time by oxygen radicals (oxidants) that eventually damage our organs (which is why you hear so much about eating foods rich in anti-oxidants). Or that our genes control aging, switching on and off sequentially through the course of our lives. Even just the conventional "wear and tear" theory, which hypothesizes we’re built like machines whose vital parts eventually just wear out and die. Nobody knows for sure what causes aging.


On a note closer to home, in fact in a small town that I lived in and is only 7km away from me this news comes:

A gallery that has served as a retreat for more than 500 painters, sculptors and other artists from around the world has been forced to close after repeated safety violations that its director denounces as bogus. The Pouch Cove Foundation, with its picturesque view of the Atlantic Ocean that has drawn artisans and the curious alike from Toronto, New York and London since 1990, was ordered to shut down June 6. The building was first inspected by the province's fire commissioner in December 2004 at the request of the town council. Since then it failed repeated safety checks and the deficiencies worsened. Joanne Charette, a spokeswoman with the National Gallery of Canada, said while the gallery was not large it was well-known in art circles. "It does entertain a lot of travelling exhibitions, not only from the National Gallery, but from other centres as well," Charette said from Ottawa. "By losing a centre where artists can meet or where artists can showcase their work, it takes away the opportunity for new artists to be able to take their art to a different level."

Where one door shuts, another opens. Perhaps its my turn to become involved in some local art creation and opportunity...

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Tuesday, August 01, 2006

Lost



Some months ago, a couple of lost beagles arrived at our driveway, exhausted and hungry and scared. With no animal services available til the next day or so (its always a weekend), we kept them in the house. They were the sweetest little dogs and part of me wanted to keep them myself.

To make a long story short, animal control collected them but the person who did so also worked as a volunteer for Beagle Paws, as beagle rescue organization who have a 'no kill' policy and rehouse beagles,both in Newfoundland and elsewhere.

It turned out that one of the beagles had a severe bladder infection and was treated. Both the male and female were neutered and spayed then put up for adoption. I still looked at that page each day to see where they were going and if I should take one or both.

The owner of the dogs finally reared his head and the usual policy of Beagle Paws is not to return animals to a situation where they are caged, but for some reason they let the female go back to this person who paid $600 in vet fees before he could have her. The little male, who was my favourite, so tiny and cute, was adopted to a family in Alberta. Hopefully all well that ends well for these dogs. Now for all the other beagles out there that are caged, ill or mistreated. I hope they turn up at my door too.

For over 187 years the Royal St. John's Regatta has been held at Quidi Vidi Lake in the heart of the east end of St. John's, Newfoundland.

The Holiday is held on the First Wednesday in August - Weather permitting - with the decision made early that morning (if not it "goes" the next day).

The day is a civic holiday for the entire St. John's area and is a full day of Fixed Seat Rowing Races.

So tomorrow I may have a day off work - or not - depending on the weather. Heavy rain or wind especially are the prime factors which would affect the running of it. I usually don't attend any more. Its very crowded and I don't enjoy the jostling and noise. Its appeal seems to be that of younger children and older adults reminiscing of races gone past in their youth.

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Monday, July 31, 2006

Happy Birthday

Old age: A great sense of calm and freedom. When the passions have relaxed their hold, you may have escaped, not from one master but from many.
Plato

Today is my mother's 82nd birthday. Yesterday we celebrated with a party with all the trimmings and I cooked a huge roast chicken dinner for about a dozen people on likely one of the warmest, most humid days of the year. Well, what I gained in calories from all I ate, I lost in weight from running around in the heat all day!

Here she is, the birthday girl, with her cake. It was an 'orange' themed birthday as at her age, she doesn't want to count numbers anymore. Every present she had was orange in colour, or orange related, taste or scent. It seemed to work...

Happy Birthday!

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Sunday, July 30, 2006

Choosing the medium

I have so many images in my head of so many different things in so many different mediums. As someone recently said to me, 'You have the makings of several art shows here, just choose which medium you're going to use.'

I am still finding my most comfortable medium, but it seems that each one I use is the one that I am inspired by at the time that I use it. But I keep coming back to pencil based work - graphite, coloured pencil derwents. I like the effects of them and the precision I can acheive too. But I do drift from one medium to another continually - pen & ink, watercolour, acrylics, pencils...it depends on so many things and what calls me at the time.

I did a draft of a portrait of my eldest daughter. I'm not completely happy with it as its too small so I haven't acheived the detail that I wanted with it in this medium and I'm still not sure about the pose. It was difficult to get a good reference photo of her as she kept goofing around as I was taking photos so I had to kind of sneak up on her.

I'll keep working on it and see what comes of of, perhaps enlarging it to see if that helps with the image that I'm looking for.

The goslings are 8 weeks old now and this is their weekly update photo. They are nearly as large as the adults who are teaching them how to be just as noisy as they are and practice their mock charges at everything that moves. They still have their little baby voices which just doesn't match their much larger bodies. They made an excursion into the greenhouse today - not a good idea. They helped themselves to greenbeans and some peppers before being banished with great protests on their behalf, back to the garden. No wonder they grow so fast, they're eating all my food!

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Saturday, July 29, 2006

Habit


There are a couple of things in life that piss me off.

One is going shopping with other people. The second is having my weekend newspaper handed back to me in a dozen different sections all mixed up.

Today both of thoss things happened. I am sure that both elements are simply me being used to a certain way of doing things - a habit. I am fiercely independent and the older I get, the more I enjoy my own company and dislike having others intrude on my space and on my limited time. I can manage a few hours at a time but then my patience wears thin and I want out. I try to retreat gracefully, but it is never that easy without seeming impolite or antisocial. So I grit my teeth and let others envelope me in their activities and constant chatter. On the surface I make the right noise, but inside I escape to another place.

Having my newspaper intact is another habit. A paper in many sections is still a newspaper. The same information is there, I just have to hunt for it a little harder. So why does it irritate me so much? Simply because I am a creature of habit .

The painting here is one I started many years ago but didn't complete it. Its near completion but for some reason I just didn't get around to it. I always liked the painting - done in acrylics on canvas board, about 16 x 20. The boy is holding a kit - a baby rabbit and it was his prize possession. I wonder if he remembers that moment?

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Friday, July 28, 2006

Eyes


There is something about drawing eyes that I can't resist. I haven't analysed why I enjoy drawing them so much. Creating that glassy, shiny orb that reflects light and shadow,with even changing colour and reflections attracts me continually.

When I draw a person or animal, the first thing that I start with are the eyes. If I can get them right, then the rest flows from there.

Today I came across a reference that I had of a lemur. They are wonderful, peculiar animals that to me look like a cross between a monkey and a dog. Delicate faces and the most amazing eyes.

The rest is history. I started the sketch in my Moleskine and wish now that I'd done it on some different paper as I liked the eyes. I think I will draw the lemur again and this time use colour. The animal itself is black and white with the most amazing golden eyes.


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Thursday, July 27, 2006

Portrait update


I have transferred the drawing that I am doing in Al Jone's portrait class and redone it on Stonehenge paper. The process using derwent drawing pencils is so much quicker, as you lay down tone and colour so much more quickly than in graphite.

The sepia-like quality of the finished portraits is very appealing and provide a warm tone and unique finish.

I will do another portrait in this medium, hopefully of my daughter. Keep watching this space!

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Wednesday, July 26, 2006

Perceived difficulty

Twenty years from now you will be more disappointed by the things that you didn't do than by the ones you did do. So throw off the bowlines. Sail away from the safe harbor. Catch the trade winds in your sails. Explore. Dream. Discover.” Mark Twain


There are many things in life that we think are too difficult to tackle and as a result we don't try them. We have the argument in our head that always talks us out of trying something that looks difficult. And in doing so, we rob ourselves of an opportunity to grow and learn and enjoy.

Drawing glass is one of those perceived difficulties.

We see all those little slivers of light and shade and we think its too complex to even try. But it isn't. We simply believe that it is without trying to disprove our own self doubt.

With many things that initially look difficult, when we break them down into smaller, more manageable pieces they become easily acheivable. The mind is a wonderful thing to use. Push it to its limits, let creativity soar, let your mind and eyes see and translate that to paper and canvas.

There are Embden geese on the farm. These are the classic geese, the 'Mother Goose' geese of fairy tales and are beautiful birds with pale blue eyes, snowy white feathers and bright orange beaks and feet. They are housed in the meadow for the summer and love the grass and sun as well as keep the horse company even if they don't enjoy the company as much as Kit does.

Finally, part of dinner tonight. Fresh tomatoes. I love these tiny sweet ones in salads. I eat them like candy, they're irresistable.

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Tuesday, July 25, 2006

Drawing skills. Inherited or inspired?



Mark Meyer says,
A talent or skill for drawing is not really inherited or divinely inspired; it is acquired like most other skills (driving and typing) by learning, practice, and experience.No matter what you think of your overall artistic abilities, you can learn to draw what you see and improve your drawing skills throughout your life. Once you acquire the basic techniques for drawing accurately and properly, you can use those tools creatively to develop an individual artistic vision to express or represent your unique viewof things. In reality, most any art form you may employ (painting, sculpting, installation) ultimately is based on drawing and compositional skills.


Drawing has been with us at least since early humans drew pictograms on cave walls, and remains a vital mode of artistic expression today, constantly evolving.Although we usually think of drawing as a way of portraying what we see accurately and realistically, it can certainly also depict imaginary, abstract, and emotional realms that cannot be normally “seen”, and so can range widely between the objective and subjective levels of our world-views.By learning the basic techniques of drawing, and through hard work and persistence, we can become better able to artistically explore and express how we envision things in unique ways.

I remember drawing and colouring as a favourite activity as a child. Crayons, pencils, paints were hoarded in my room and paper a prized possesion. No one in my immediate family was an artist, though my father did have some artistic talent and interest but never pursued it directly. A great aunt I am told used to draw well, but none of her drawings are still in existance that I know of and she is dead now,with family living in the USA, who I don't know very well.

Does technology weaken drawing skills?
Students are more comfortable manipulating computer graphics than doodling, drafting and drawing with pen on paper, and this has created a sharp decline in drawing skills in recent years, teachers say.

Additionally, tech-savvy students simply lack the initiative and persistence developed by drawing, resulting in uninspired work--at least work on paper.

"I see an increasing passivity on the part of students," says Marc Treib, a University of California, Berkeley architecture professor who hosted a recent conference on the state of drawing in an electronic age.


The Mechanics of Drawing looks at the technical aspect of drawing through art instruction.
A certain amount of drawing is mechanical in nature; that is, it is done more on the conscious level, and even in the left, or analytical, side of the brain. Therefore, this part is a little easier and faster to learn, because it consists of practical, more easily comprehended steps. And it involves manual dexterity, eye/hand coordination, and simple practice; and is more objective, less subjective. It comes in handy for those who are interested mainly in accurate depictions of people and objects - likeness, correct proportions, and other quantitative measurements.


The drawing here is a draft of a portrait to be completed for a class. The draft gives me a chance to experiment on inexpensive paper and get a feel for how the pencils handle and to correct mistakes and recognize the plan I need for the main drawing that I will complete on Stonehenge paper. I strongly believe that drawing skills are latent in everyone. They just need to be brought to the surface, encouraged and used constantly to be effective.

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Monday, July 24, 2006

Experiments


I have been doing some practice pieces with a fairly new medium - to me at least. I have used Derwent Drawing pencils previously, and have created a self portrait with them last month, but I am no master with them, that's for sure.

So when Al Jones was going to provide some help in a portrait class using Derwents, I had to join in. Over the next couple of weeks a portrait or two will evolve I hope. Meanwhile, I'll keep practicing.



Meanwhile, down on the farm...hot humid days continue to sap energy and make for cranky animals. Everyone seems to be snapping at each other this evening or at other animals. Kit is pacing the fence of the field, waiting to come in for sweet feed and Angelo is vying for leadership of the geese. That bird is sooooooo vocal. He just keeps on making the same noise over and over while strutting around trying to show oneupmanship over the other male goose.

Sometimes it comes to blows, but they are shortlived and finish with Angelo running back to the female, flapping his wings and shouting about how brave he was and how he really showed the other guy who was boss. Sigh. I think Lucy, the female sighs too at this little ritual and says 'don't pay attention to your father' to the goslings.

There are a lot of birds around this summer and this morning a young woodpecker posed on the old bird feeder. It is a Northern Flicker and has just gorgeous colours. I hear them more than see them usually, drumming on trees or metal electricity transformers sometimes which I guess provide a much louder noise. One morning I was woken to one drumming on the side of the house!

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Sunday, July 23, 2006

A week later


On Sundays I have been taking photos of the goslings as a record of their growth. This week is no exception and they are now 7 weeks old. Their are several differences in just a week. The stripe on their heads and down their neck has suddenly appeared as well as the growth of feathers, giving them a scruffy, ruffled appearance. Its amazing just how much they have grown in such a short time. They are rapidly catching up on the adults in size. And all on grass and weeds...well I guess I have to count the stolen strawberries, peas and green beans too that they stuff down in the field when no one is looking.

I have made a start on a coloured pencil drawing - the daunting 'multicoloured white' piece. I've put about 3 hours into it so far and its approaching the ugly stage. Its that point where minimal layers are on the paper and the true blending of colours hasn't yet occured. Its at this point that it becomes very discouraging and I have to work hard to get past that and visualize the finished product.

The other project this weekend are cat images. One in watercolour, a black cat. Black is notorious difficult to capture as the highlights are really all that you see in the animal. The other is a sketch with Derwent Drawing pencils of a grey tabby. I will redo the last one as a larger drawing as the sketch isn't quite as I want it and the measurements of the head are off a bit.

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Saturday, July 22, 2006

Water babies & heirlooms


With geese wandering around loose, its a bit like having small dogs in terms of clean up after them. So every few days the driveway needs to be hosed down. The ducks LOVE this task and either stand in the spray or spend their time foraging noisily for uncovered bugs in the water that leaks into the grassy hollows.

Today, this Pekin stood like a little soldier under the spray from the hose, unflinching, enjoying the cooling shower. They are such beautiful ducks, so white and such little chatterboxes. They are so amusing to have around.

While shooing them out of the flower bed, I discovered the makings of a nest that one of the ducks had prepared. Last night when it was time for the geese to go into the barn, one female couldn't be found. Her mate, called and called to her but she was nowhere to be seen. She was finally discovered sitting on a nest of six eggs under the trees, tucked into an inaccessible nook and she wasn't going to be moved. About 10 o'clock last night she appeared under the living room window, calling loudly and wanting to go in. Obviously, the good idea in the early evening sun turned into something not so appealing later at night with darkness and strange sounds spooking her. Today, she abandoned the nest.

There are some heirloom tomatoes growing in the greenhouse called Green Zebra. When ripe they will be a golden colour with deep green stripes. It is interesting to grow the old varieties of vegetables. They are hardier and less prone to disease and the problems that new hybrid vegetables have. I also like the history behind them, knowing that some varieties stretch back over hundreds of years in their ancestry and that I am continuing to keep their legacy alive.

This sketch is of some of the unripe green zebras growing still. I look forward to tasting them soon.

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Friday, July 21, 2006

Interpretation


There is a theory that art should have meaning and should say something to the viewer. It should represent the artist's thoughts and emotions and they should translate into colour, light and shape. And sometimes it does do that, but more often than not, an image is simply that. It is a play of light and shadow that captures the artist's imagination or interest or it is a subject that becomes interesting once the drawing or painting process begins and it moves forward to completion. However, the Pareto Principle applies in most cases of art and 80% of art ends up relgated to the back of a storage drawer or is trashed.

In the last week, I have been the exception to Pareto's Principle and most things that I have produced I have liked. Not liked to the extent that I would put them up for sale or frame them all, but like to the extent that I don't want to hide them from others view or to tear them into a thousand pieces in frustration.

One bad drawing or painting by the artist's own standards can be soul destroying and even stifle creativity. Art and fear raise their heads again and seed the artist with self doubt of ability, self esteem and the future.

I believe that having spent the last two weeks sketching from life has helped my drawing ability and from there my confidence to put down strokes and make decisions on colour and form that were a bit rusty previously. Either that or its simply luck. I preer to believe the former scientific priniciple.

I started a watercolour of my husband the other night. He never understands the art process or why I do it and critiques what he doesn't understand. I'm about half way through this painting and have more layers to add to deepen tone and bring it to life. Its at the point where it will become a lot better or I will screw it up entirely. I'm building my portfolio of portrats so that I can start marketing them and look for some commissions.

I wandered in the greenhouse and field this morning, taking some photos of the growth stages of various vegetables. Here is what I call the 'salad bar'. There are about 8 varieties of lettuces and greens growing. I go out each day and cut a few for use in salads and top it up with cucumbers and tomotoes from the greenhouse as well as some fresh basil leaves that is growing especially well this year. They are grown in cut down chicken crates and put in a fenced in area away from marauding geese,ducks, rabbits and horses!

There will also be a bumper crop of grapes by the look of the bunches swelling in size now. There are white seedless grapes for eating and a lovely purple Pinot Noir grape for wine making. They too have really spread on both ends of the greenhouse and I anticipate in excess of 60lbs of fruit + from each of the three vines this year.

Everything is grown organically which is harder work but pays off in the end with taste and quality.

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Thursday, July 20, 2006

Multicoloured white


Definition from Wikipedia.org: "White is a color, (more accurately it contains all the colors of the visible spectrum and is sometimes described as an achromatic color—black is the absence of color) that has high brightness but zero hue. The impression of white light can be created by mixing (via a process called "additive mixing") appropriate intensities of the primary color spectrum: red, green and blue."


There is a coloured pencil project available in Wet Canvas. The project is about "painting white without using grays". I am in the process of deciding on a reference to use for this project. I enjoyed coloured pencils and learned a lot in Cindy's class last winter. I've had a little break from cp's and its about time I got back into them again. They are time consuming to build the colours, but the time is well worth spending for the end result. Here is one of the references that I am considering using for this project. Its an image of my daughter and me, sitting on the patio in very strong light. I'm not sure if the image is 'white' enough. I need the image to say 'white' immediately. The other option of a flower image may be more suitable. But if there's one thing I hate drawing or painting, its flowers. I don't know why, but they never appeal to me. Yes, they look beautiful, but the thought of drawing them makes my creative side shut down entirely.

I have started on the second scavenger hunt, as the first finished with a clear winner. It wasn't me. I'm way to slow to even be in the running these days. But I enjoy the process and drawing from life forces me to observe closely those simple day to day items that I would often overlook in favour of something more exotic. Whoever thought I'd enjoy drawing the mess on the kitchen counter after supper!

Here are a couple of the drawings completed so far, including the kitchen counter tonight which I did in pen and ink in my Moleskine. I'm stingy using the Moleskine as I've nearly filled it. I have ordered another. Its crazy, I can never get them in Canada, so this one is coming from California. Borderless shopping. Whatever works. Other sketches here include my keys that I lug around daily like the jailor, and my nose. Its quite disconcerting to draw a nose that's disembodied.



The kitchen scene was done in my Moleskine sketchbook with pen and ink, and no underdrawing in pencil. The elipse on the bowl isn't wonky, its an eggshaped bowl (and weighs a ton!).

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Wednesday, July 19, 2006

Life cycles


The little chick that I nestled in my hand 8 weeks ago is now a large bird and ready tomorrow to travel with its pen mates to King's, the processor. When we raised the first batch of broilers a few years ago, I treated them more as pets. I talked to them, I let them out of their pens to play each day and I felt horrible when they went to the processor. I managed to cook the chickens but couldn't eat them. My memories of them were too emotional. But I got past that point and came to terms with their role in life and how to deal with it.

I have to admit that I still am not crazy about the thought of them going off and I do go in with them the night before and tell them I'm sorry (yes, I know, I'm a wuss). They come back, looking like supermarket chickens and I know they have had good lives and were treated well, fed well, and humanely killed. I can't offer them more than that in this life cycle.

I took this photo of the last group of chickens loaded into crates on their way to the processor. They have space, light, air and are calm and relaxed. I believe if the public knew the facts behind their average chicken dinner produced on a large commercial chicken rearing facility, they may reconsider who they buy them from. And the same applies to eggs. But I won't go into my rant about animal rights and humane treatment. If you want that argument, email me.

Pastel is not something that I'm good at drawing with. I see artists who produce amazing pieces with it and I can only wonder at the process and muddle along with childlike colours of my own. I loved the colours in this piece - the blues and yellows speak of summer. Unfortunately, the photo of the piece didn't come out well and I haven't done a scan of it yet.

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Tuesday, July 18, 2006

Birds, birds, birds


I have missed my Sunday update of the goslings progress into the world. They are about 6 weeks old now and nearly half the size of the adults. Here is the first image of them taken in the barn just after hatching. And again at 2.5 weeks old. Here is last week's image of them. Their feathers are just starting to come in and they look like gangly teenagers, growing into their bodies. The funny thing is that you expect them to have the voice of an adult almost as they are so large. Instead, they have the same little baby peeping voices that they did as hatchlings. It makes me laugh each time I hear them. The photo was taken on Sunday, I just haven't had time to get it uploaded til today. Its been one of those weeks.

Here they are striding across the yard with Lucy, their mother. The goslings don't have names as of yet, but should. They are very similar in looks, one being just a little more yellow than the other. Its near impossible for me to tell the sex of them just by looking at them at this stage. That usually happens as they get older and the male geese are a little larger with deeper voices than the females and in the case of this breed, Chinese brown geese, by the knob on their head as they get older.

Four of the stock geese were sold and travelled to King's Point in Western Newfoundland. It was a six hour drive to transport them there, but the man who bought them did telephone and report that they made the journey unscathed, if not a little pissed off at the indignity of being in a crate for so long.

He asked if we wanted four peachicks. I haven't had any experience with peacocks personally, but remember people that I knew in England having them wandering estates for show. They are magnificent birds - at least the males - but they are also very noisy with piercing calls. Just as well we don't have neighbours. I'm still mulling over whether I want peachicks or not.

One of the reference images for the All Media Art Event was a peacock. I love the brilliant turquoise irridescence of the feathers and the elegance of the bird, so I had to paint it. Watercolour in my sketchbook.


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Monday, July 17, 2006

Water & rocks

"If you want to know how much I love you, count the waves."

Waves are endless and constant. They ebb and flow no matter what the weather or the season. Sometimes they are hidden under ice or blurred with fog or snow, but they are always present. They are timeless and ancient, mysterious and beautiful.

Living on an island and having the ocean within sight is something I am never really accustomed to, even though I live near the ocean and have it within my sight as I drive to work, when I drive home, and throughout the day when I go about town on business. It is always there in some form, perhaps hidden by everyday life, but always there, moving, swaying to an age old dance. Each time I see the expanse of water stretching into the horizon, I am in awe of its beauty, strength and power. And I am drawn to it, fascinated and inspired by it.

Yesterday, I wandered on Middle Cove beach and without thinking bent to find stones ground smooth by the waves over time and coaxed to reveal their secrets of lines and colour. Wet and cool in my hand, they glistened and felt as if they were alive and telling their story of deep cold water, small fish, giant whales and storms. Those pebbles became a drawing, partially to complete a promised task, partially because there was no choice but to capture them on paper.

The ocean made me do it.

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Sunday, July 16, 2006

Who am I?


Since the Renaissance, artists have used self-portraits to answer the basic question, Who am I? A mirror or a photograph can tell a person what he or she looks like, but that outer image rarely reflects the whole self. Self-portraiture asks artists to think carefully about personality, character, mood, and physical appearance in order to make decisions about how to represent themselves

Here are some practical reasons why artists make self-portraits:

They get a model who is always available and works for free.
Self-portraits are a good way for artists to practice representing different expressions and moods.
Self-portraits advertise an artist's skill. A potential customer can compare the image in the self-portrait to the actual person and decide on the spot to hire the artist—or not!
Self-portraits live on. They preserve memories and let the artist leave his or her image behind—a way of fulfilling the human quest for immortality.

The National Portrait Gallery had a wonderful exhibition this year, this major exhibition brings together a painted self-portrait by 56 of the world's greatest artists from 1433 right up to the present day, including 14 by women painters. Works by artists renowned for their self-portraits such as Rembrandt, van Gogh, Kahlo and Bacon will be included alongside works by less well-known artists such as Pieter van Laer, Johannes Gumpp and Hans Thoma, whose self-portraits are of exceptional quality and interest. The international range of artists represented includes Carracci, Velázquez, Hogarth, Kauffmann, Courbet, Warhol, Hopper, and Freud.


The Self-Portraits of Albrecht Dürer


Rembrandt's Self Portraits The debate over why Rembrandt made nearly ninety self-portraits continues, but the first exhibition devoted to these works reveals a profound forty-year exploration of what it is to be human.

The portrait above is my own self portrait, done for a challenge in a thread in Wet Canvas. I have done a few sp's in the last couple of months and each one is unique and different. Each one isi a learning experience and a legacy for the future.

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