Raggedy Ann

 Raggedy Ann

Acrylic 8 x 10

Available for purchase here.

I recall having a doll like this sometime during childhood as well as books about her and her brother Andy and they were, and likely still are, popular.  However, I never knew the story behind the doll.

According to Wikipedia:

John Gruelle created Raggedy Ann for his daughter, Marcella, when she brought him an old hand-made rag doll and he drew a face on it. From his bookshelf, he pulled a book of poems by James Whitcomb Riley, and combined the names of two poems, "The Raggedy Man" and "Little Orphant Annie." He said, "Why don’t we call her Raggedy Ann?" 

The character was created in 1915 as a doll, and was introduced to the public in the 1918 book Raggedy Ann Stories. A doll was also marketed along with the book to great success. A sequel, Raggedy Andy Stories (1920) introduced the character of her brother, Raggedy Andy, dressed in sailor suit and hat.

Marcella died at age 13 after being vaccinated at school for smallpox without her parents' consent. Authorities blamed a heart defect, but her parents blamed the vaccination. Gruelle became an opponent of vaccination, and the Raggedy Ann doll was used as a symbol by the anti-vaccination movement.

Gyotaku glimpses

Here's a little video glimpse into some gyotaku and information on my upcoming workshop on March 19th.  Scripting is not my forte so forgive the hesitations as my brain fought with painting and talking at the same time.  Not always successfully! 

I intend on producing a smoother piece as a workshop promotion so stay tuned.

Gyotaku & Workshop 2011 from Jeanette Jobson on Vimeo.

Light and contrast

I've spent this evening looking at other artists' interpretations of water and feeling, in varying degrees, in awe, exhilarated and depressed, wondering if my water paintings will actually resemble water or not.

I wanted to have a more impressionistic view of water than the piece I'm currently working on of the wave hitting the rocks.  With each piece I learn a little more about water and reflections.  I know reflections are all about light and contrast and if I concentrate on getting those right, I should be on the path to success.  That and a lot of practice.

So I tried a looser technique in oils on a 6 x 6 gallery canvas. The setting sun was just hitting the top of the ripples adding a hint of yellow/orange to the light. It needs some stronger contrasts I think that will give the surface that reflective quality that makes it look like water.

As I continue on my study of water, I have added another list of blogs to my sidebar - that of artists who paint water.  I will add names and blogs or websites as I come across them, and if you know of any that may be useful, please let me know.

Splash update

 Here's a small update of the wave painting that I'm currently working on.  One more session and I should be able to call it done I think.  I need to add some modelling to the wave and highlights to points of water where light hits. This is my first water based image of the new year and the start of a series of pieces devoted to water, its reflections, movement and interaction with the land.

This is a bit 'chocolate box'-like for me I think.  Its perhaps too smooth and I'll experiment with a loose style over time til I reach the point where I feel comfortable with what I produce.  I see what I want in my head, but it doesn't always come out that way on canvas.  Also using acrylics for this limits me I think.  I'll pull out the oils for the next one and see if they loosen me up.

Sea monkeys

 
When I first started printing shrimp I used a fair bit of paper experimenting with composition.  Yes, I should have worked it out in thumbnail sketches first, but I was anxious to play with the little guys.  Then suddenly the composition came to me.  Sea monkeys!

If you grew up in the 1960's as I did, you may well be familiar with the ads for sea monkeys that every child begged their parents to buy for them.  The whole 'sea monkey' issue is revealed in a 1974 CBC Archive.  It starts at about 6:10 minutes into the video.

Now I don't have a fish bowl full of brine shrimp that I'm using, but they gave me an idea for the composition with their promotion of constant antics.  In my shrimp gyotaku I've created my version of 'sea monkeys' tumbling down the length of the page in shades of phtalo blue and violet red.

These are printed using Caligo water soluble oil based inks on Okawara paper.  I'll let the ink dry for a couple of days before adding the eyes, then the print is ready for wet mounting and framing.

Study of Sarah in sunshine

I've had some images that I took back in August from a model who came out to the farm to pose for me.  Its only now that I'm starting to work with them and decide just where they're going and what I'm doing with them. Sarah had lovely titian hair and it glowed in the sun.  That combined with her pale Celtic colouring made it a perfect candidate for a little watercolour portrait practice today.

This is done on 140lb paper 5.5 x 8.5 inches.  I wanted to leave it loose and ensuer each layer of colour stayed translucent.   I'm not happy with the mouth.  I kept reworking it and it just won't do what I want it to do.  But for a study, it lets me see the colour range I can use in a main portrait.  Although the reference image doesn't have dramatic lights, I want to also intensify the contrast between light and shade to give a strong illusion of bright sun, as well as darkening the hair.

I just love how studies can be so useful!

Aiming for 2011

This is the start of a painting that I began today.  Its 10 x 14, acrylics on canvas board and represents my beginnings for the year.  Its not complete, it looks a little odd in places because there isn't enough detail yet, but it has form and gives me enough information so that I can see success, just as my 2011 plans do.


If you remember my post for 2010 plans from last year, you'll see that I had a portent.  It came in the form of a fortune cookie.   A bit hokey or superstitious perhaps?  Maybe, but I like to think that something is out there guiding me.  I didn't have a fortune cookie handy, so I looked online and found one here and choose a random fortune cookie to see what form the guidance took this time.

You find beauty in ordinary things. Keep this trait.

Pretty good advice for an artist I thought.  Artists can take something as simple as a bolt and turn it into a piece of art, making the viewer see it in a way they never would have thought of previously.

I hope in 2011 I will continue to find beauty in ordinary and extraordinary things and will try to make the ordinary become extraordinary.  And now I will share some of my plans for 2011 that become my goals to work towards.  I am concentrating on two of the same areas that I did last year, productivity and visiblity.  Both push me towards revenue generation which becomes redundant as a category because without the first two, the other doesn't exist.

Productivity

I will create a body of work representing water.  I have concentrated on fish for the past year and they will continue to be in my repertoire.  In 2011 I want to get to grips with their environment – water.  Surfaces, reflections, waves, etc.  I want to really know water and how weather, currents and environment shape it and be able to translate that into art.  The endless forms and light changes provide lots of opportunity.

I will create more pieces in dry media – charcoal, graphite, coloured pencil.  I miss drawing and believe it is ‘the’ most important tool for an artist to have under their belt.  I will work on more portraits and have ideas for other small series of drawings.

I will make more time for the business of producing art.  Its easy to get sidetracked into marketing or simply surfing online when I should be producing art.  Marketing is an essential part of art business, but getting off track and spending too much time on the computer sucks time away from production.

I will complete a book The Gyotaku Project and make it available for sale.  I want a permanent record of the past year’s work and learning process in fish printing. Both as a record for me and as a tool for those coming after me who want to know more about the joys and challenges of gyotaku in Newfoundland and Labrador.  A self published book will serve this purpose and should be available in late winter/early spring 2011.

I will create a local group of artists to produce, explore and exhibit work.  I will invite local artists and develop specific criteria to create an art group that is purposeful and functional.

Visibility

I will create an exhibition proposal for galleries in Newfoundland and Labrador as well as in another province and in non traditional exhibition space.  Galleries can be difficult to be accepted into.  A exhibition proposal based on my gyotaku work, fish and what will be future water paintings will be created and distributed.  Exhibition of art in non traditional settings such as businesses, private homes, community centres, etc. will be considered.

I will create a media resource page and publicity plan for the year.  Publicity isn’t something I’ve done much of in my art career, but is common in my day job.  I will create a media resource page on my blog with my biography,  artist statement, photo and any media releases to date.  I will create media releases based on events as they occur during the year.

I will write articles about gyotaku and submit them and images to fishing/outdoors/boating magazines in Canada and the USA for potential publication.   There are local, national and international magazines and specialist publications promoting fishing and wildlife.  An article on gyotaku as well as images, if printed, will provide me with additional visibility and possibility for the future.

I will join the Craft Council of NL as an active member and continue my memberships with current art organizations.  The CCNL has an art gallery and membership will allow me access to exhibition space, resources and financial assistance.

I will monitor submission calls and participate in local exhibitions when possible.  I have seen exhibition potential slide by me in the last year and haven’t acted on it for several reasons.  I will create a calendar of local exhibition calls and ensure that I have pieces available and framed in time to exhibit.

I will explore additional outlets for cards and prints.  There are many more opportunities for distribution and sale of note cards and prints that I have not yet explored.  I will add additional distribution links for sales of my products.

Year end finale

Yesterday I posted my evaluation of 2010 based on my goals I had set at the beginning of the year.  Well there are a couple of more things to add to that, thanks to Katherine Tyrrell of Making a Mark and to the art blogging voters. 

1.  I received the "Going Greener Gong"  for my work with gyotaku fish printing and the connection with the realities of the fishery in this province.

This award is for the art blog which Katherine found most stimulating in relation to getting us in touch with nature and the environment.

2.  Tripod, my cat has won "The Moose" 

Named after the first winner of this award.  This award is for particularly noteworthy artwork about an animals or animals (wild or domestic) posted to an art or illustrated blog in 2009

Tripod gives his reaction below.  He crops up a lot in the blog in drawings and photos whether I want him to or not. (picking cat hair out of the paint)

3.   My image of A Tangle of Capelin shared third place with James Hollingsworth's Black Grapes No. 3 in the The MAM Award for Best Picture of the Year on an Art Blog

This is awarded to the picture which got the most votes cast in the poll.

Thank you Katherine and thank you to everyone who took time to view and vote.  Congratulations to all the winners who created such beautiful art in 2010.

Tripod on winning 'The Moose'

The female human disturbed my sleep this afternoon to tell me that I was a moose. She does ramble on sometimes and I don't understand half of what she's saying, but I tried to pay attention as she seemed insistent.  But I had some questions about this moose thing.

 

Ok, now I'm awake, more or less.  What do you want?

Is there tuna, treats or live animals involved in this?
Do I have to pose for more photos?  I wish you'd put that camera away...

So no food, I've won a moose and you want me to be happy about it? 

Wait!  I've won a moose!!!  They're big!  But I can take one on.  It will impress the ducks, they're not too smart at the best of times.

What do you mean, be nice?

Ok, here goes.....thank you Katherine for The Moose Award, I love you to bits.  There will be a small package labelled 'fresh meat' arriving at your door soon. 

I'll just go out to the barn and rustle up something special for you.

I'll have my people call your people to arrange something.  Happy New Year to everyone. Now back to my nap....zzzzzzzz

2010 in review

 Caplin - dished

photograph, Jeanette Jobson

I've had a look at my goals for 2010 in my previous blog post and used them as a measuring tool to see what I have achieved in the past year.   I gave myself twelve tasks to achieve and have completed nine of them. This completion rate is similar to what I would hope to achieve in any realistic work plan. I can always do better and learning from mistakes or miscalculation of time or market is how I continue to improve and move forward.

My main goals for 2010 were Production, Revenue and Visibility - likely the standards for most artists - as they represent what we do, why we do it, and how we help ourselves to move towards those goals.

I've looked at blog statistics and numbers are growing steadily.  Statistics in 2009 compared to the 2010 show a 28% increase in page loads, a 21% increase in unique visitors, a 15% increase in first time visitors and a 28% increase in returning visitors.

Keywords are always important as they show how they connect with the blog and if I do something to help keep those individuals on the page.  I have produced one quick sketch of gummi bears in 2008 and it is a consistent hit for individuals searching for how to draw or paint them.  Zorn palette is also another common keyword that lands on my blog as well as the entry point via a blog post on Fish, cats and ice.  I have no idea why that post comes up so frequently.
I have outlined the 2009 goals and what my plans were to reach them below.  I've used a colour code to help me visually see progress.  Green means I have completed it, yellow means its in progress, red means that it has not happened.

Production
Producing pieces of art is the essences of being an artist.

 

Bluegill - gyotaku/multimedia

Smelt - gyotaku/watercolour

I will produce a body of work in gyotaku.  This will be a minimum of 8 large pieces that are cohesive and connected and that will be exhibited at a local gallery. I am hoping that it will be tied into a grant, but if the grant doesn't materialize, the work will still exist.  I will simply have to work harder to produce other pieces to support its existence.    

• I have completed this body of work and additional prints are still in progress as it spills over beyond the required task.

 I will continue to produce portraits of both people and animals for pleasure and commissions.  

 

Masai woman

 

 The artist's mother

 

Katie - commission

• I have completed a number of portraits this year, some for pleasure, some for commissions.  Commission numbers grew by 18% compared to 2009.
• I sold 43 pieces of art this year.  Not enough to give up the day job yet...

I will experiment in other mediums and become familiar with them.  

 

 Lionfish - batik/watercolour

• I spend time perfecting the technique of gyotaku;   
• I experimented with learning and sharing a technique of faux batik.  
• I reacquainted myself with acrylics and their benefits and drawbacks.   
• Early in 2010 I used frost as a new medium!

I will take a portrait class with Gerry Squires.   I have wanted to do this for years, but timing has always clashed.  Its not cheap to do, but well worth it in terms of information learned from him

• I still have not found a class at the right time, but I will persist until I do.

Additional work:

• In late summer I started a series of paintings of Hidden Rivers in St. John’s
• I have produced paintings of fish and water in watercolours, oils, acrylics and dry media.

Visibility
I haven't devoted enough time to network with other local artists in the real world.  The online art community is vital and important, but the real world is often where more art sells and I have neglected that.

I will become involved in the creation of a local artist's group to draw or paint with, exhibit with and learn with.    

I have tried off and on during the year to start a group, but have had no success to date locally.  There has been nterest internationally online. 

I will become a member of two other art organizations locally that will increase my visibility and allow me additional opportunities to show my art.    

• I am a current member of The Nature Printing Society, Eastern Edge Gallery and Visual Artists of Newfoundland and Labrador. 

I will submit art to the provincial Art Bank, Arts and Letters Awards and to a minimum of two juried exhibitions.   

• I submitted three pieces of work into provincial Art Bank, but they were not accepted. In 2009 I di have a piece accepted.
• A piece was submitted and is currently under review for Arts and Letters Competition.  I will know status in the spring.    
• I entered a piece in the Artist Magazine Multi Media competition.

Addtional work:

 

Kisses for Haiti Ebay Charity Auction reproduction

• I produced the first monthly newsletter in September 2010 and have done so on the 15^th of the month since.
• In January 2010I held an online auction to raise funds for disaster relief in Haiti.  Kisses for Haiti raised $255 in the sale of a Purity Kisses 12 x 18" reproduction. The proceeds went to Doctors without Borders.
• I revised the look of this blog and created a ‘brand’ that is used on email signatures, blog, etc. 
• I created dedicated pages on the blog for sales, tutorials, etc.
• I created a new business card to reflect my gyotaku direction and tie in with the project
• I am near completion of a book about the process of The Gyotaku Project what will be available in 2011.

Revenue
Art is the bread and butter of artists.  At this point in life, no I don't need it to exist and yes if I did, it could be a tenuous existance.  However, I want recognition for my work, tangible recognition for my creativity, years of learning and hard work.

I will produce and market prints and greeting cards of my work through local stores as well as my Etsy shop.     

• In September I signed a contract with Heritage Association to distribute Purity Kisses and Merry Christmas Hares in print and card form in select Heritage Shops.
• I marketed prints and portraiture commissions on Kijiji and through Etsy  
  • I created pages on my blog to market art and prints. 
  • Gyotaku note cards are being used by a local restaurant for promotion/thank you cards.
  
  
  
  
  
  
  I will apply for a local grant to support the creation of a body of work,   
  • My application for an professional arts grant  was approved by the Newfoundland and Labrador Arts Council (NLAC) in May 2010 to produce a body of work in gyotaku.
  
  I will develop drawing and painting tutorials which will be for sale online.  I would like to produce four of these as a minimum.   
  
  
  
  • Two tutorials available for sale on the blog, another tutorial is complete will be available free of charge before the end of the year; 
  • Two additional tutorials are partially completed
  
  I will market and offer workshops in my strength areas of drawing, coloured pencil, gyotaku and watercolour.   
  • I have provided private drawing lessons to individuals, but have not had time to offer structured workshops. A gyotaku workshop planned for March 2010.
  
  I will hold an exhibition of works for sale.   
  • Bacalao  is currently holding a preview of gyotaku prints December – February.    
  • An exhibition of gyotaku project planned for spring 2011.

Within the next couple of days I will share some of my plans for 2011.   Have you reviewed your year yet?

Storm surge

 Storm surge

6" x 8"    acrylic

I've been reviewing 2010 today and documenting what I've accomplished and not accomplished and will be posting more about that review tomorrow. Part of my planning process is to review the past, take others opinions and input into consideration and study why I didn't succeed in some areas but did in others.   This shows me the path for the future and coupled with planning and a hefty dose of reality checks should point me in the right direction for 2011.

This painting of a storm surge is a hint of the direction I'll be moving in 2011.  While my gyotaku project draws to a close, there are many more areas that pull me and I will not be sitting idle.

As December and the year draws to a close, I was delighted today to be told that I have won the Going Green Gong award from Making a Mark.  I feel strongly about the ocean, the fish and the state of the fishery and environment.  Gyotaku brings me closer to the raw elements of all three and perhaps helps others see the reality of it on several levels.

As, well Katherine kindly nominated Illustrated Life as a contender in the Best Portrayal of Nature in 2010 award.  Gayle Mason and Tracy Hall are also nominated in the same category and you can cast your vote for this and other categories until 6am Greenwich Mean Time on December 30th. There is a lot of beautiful art in all the categories, so treat yourself visually and then try to make a decision on your vote. Its difficult!

Shrimp

 Gyotaku shrimp on chiri

 After the collapse of the cod fishery in 1992, shrimp fishing became the industry for Newfoundland fisherpeople until this news on shrimp quotas hit this fall, affecting future harvests.

Newfoundland and Labrador's fishing industry is bracing for a big hit as shrimp quotas in the area known as 3L are being reduced by as much as 40 per cent.

The Northwest Atlantic Fisheries Organization is reducing the total allowable catch (TAC) from this year's level of 30,000 tonnes to19,000 tonnes next year and then to 17,000 tonnes in 2012.

Read more: http://www.cbc.ca/canada/newfoundland-labrador/story/2010/10/05/nl-shrimp-quota-105.html#ixzz19SRo4Oo8

What has this got to do with art?  Well, as I secured my first whole shrimp the other day for gyotaku printing, news like this impacts me and makes me wonder if I am recording what could be a slowly dying industry or slowly dying species.

So many species are becoming endangered and access more and more limited, making a living from the sea seems to be a daunting task.  Except for a few weeks of the year, people here are not even allowed to catch an ocean fish for dinner. 

I am allergic to shellfish, even though I've eaten it all my life.  My allergies are usually restricted to eating them, but in handling them yesterday, I was getting some physical reaction to the smell and perhaps some element of them transferred to eye/mouth when I took off gloves to adjust positioning, etc.  So today, I'm armed with gloves and face mask as a precaution.  It may be overkill, but I remember the reaction to shellfish enough to take these precautions and shrimp, of all crustaceans, is considered the most allergenic. 

I printed these shrimp on chiri paper and am still working out composition for them.   My concept is a sort of acrobatic display of shrimp tumbling in varying positions down a sheet of paper.  These are simple, fossil like prints with the only addition being the eye of the shrimp.

The deal

The completed painting is now available for sale on my Original Work page.

This fleeting image of Tripod in a Santa hat was a compromise between me and him.  He very begrudgingly wore the hat and posed for a few photos in exchange for a couple of handfuls of Temptations - the crack cocaine of cat treats.  Yes, the ads are right, cats will virtually come through walls to get whatever it is that is in these little kibble pieces.

I did a drawing of Tripod in a Christmas hat a few years ago, probably his first Christmas in this house and he was happy to pose.  Now its a different story. As soon as I pick up a camera he hightails it out of the room or, if on a lap, gives me 'the look'.  You know the one.  It plots your downfall at a later date as he considers which is the best form of torture for humans.  Tripod's favourite is the 3am cat call in my ear to insist on going out.

However, the deal was made.  He got his treats, I got my photos and this is the result of the painting.  Its on 10 x 10" canvas panel in acrylics.  I planned on oils, but had run out of thinners and couldn't be bothered to drive in to town to get more as I knew it would be heaving with shoppers looking for sales.

I still have some tweaking to do with this, but here are the progress shots to its current state of completion.

Little Heart's Ease

I've had a lovely day filled with food and gifts and people and feel a bit tired at this point.  I think its always the way after the  build up to Christmas, then the point when you can finally relax.

I have some sort of bug brewing and haven't been 100% for a couple of days.  It the kind of thing that wakes me early, so I take advantage and try to do a little work during the wee hours.  It usually catches up with me during the afternoon and I end up napping.

This morning I did some work on a watercolour that I had begun a couple of months ago.  Its of a little dory sitting in Little Heart's Ease.  Yes, there really is a place with that name!  Early morning before the wind has had a chance to come up the water is so still and this little boat floats at its mooring waiting to rowed out into the bay.

Yes, the composition is all wrong.  Dead centre seldom works for any composition and this may be cropped to change that.  Its not a piece that will be available for sale so the process is the learning element, with not a thought to the final outcome.   

This was done on a half sheet -  15" x 22" - of 200lb watercolour paper.  Getting even washes of colour over large areas is challenging and the varying changes in light and contrast help break up the larger areas.

Merry Christmas

This blog is approaching its fifth birthday on January 1st.  Its amazing that I've found things to talk about and art to show for that long.

I could not have done so without your support and friendship.  Followers, friends, supporters and even those who simply look and read are all part of my motivation to keep producing art and moving towards my goals.  Thank you!

The next day or two will be busy with holiday obligations and then I will be reviewing the past year and planning for 2011.  I'm still busy producing gyotaku prints as well as some other pieces.  Of course, whenever I get time off, I get sick.  This is no exception.  I don't think my body likes the concept of holiday. 

To everyone, Merry Christmas.  I hope your holiday, if you celebrate one, is peaceful, safe and enjoyable.

I have shared a couple of images with you.  The Christmas tree is decorated with white lights, silver and cream ornaments this year and looks quite pretty, despite being artificial.

The images here are today's sea state off Flatrock.  We've had a neverending storm for days and days now with constant rain, wind and fog.  The waves were powerful, washing almost up to the road at times and looked like walls of water coming in towards the cliffs.  I love rough seas.  I just wish the visibility would lift enough to get some better photos.

Red fish

I was up early this morning working on a pair of red fish or ocean perch.  The paper they're printed on is mulberry with sizing on one side which makes it easier to apply watercolour without fear of having it bleed too much.  It makes painting so much quicker than painstakingly painting almost dry pigment onto paper and using peach tree glue to slow the bleed.

This is a transition and a bit of an experiment for me with this piece.  I have added colour to the original print, then crumpled the paper and washed it with mixes of turquoise, cerulean blue and ultramarine turquoise.  The paint catches where the sizing is cracked, giving darker lines and a batik appearance.  I am going to try adding another element with melted wax, the true batik technique tomorrow if I have time.

And speaking of tomorrow, I know I was scheduled to do a Christmas gift giving extraganza of seven days starting on Christmas Eve.  I have decided to postpone this til later in the New Year, as my plate is pretty full right now and I need a little breather to catch up with myself.  So bear with me and thanks for your patience.