Saturday, May 27, 2006

Chicks


Today 290 day old chicks arrived. One hundred and twenty are staying here, the rest were ordered in for other local people who raise their own chickens. These are broiler chicks that grow rapidly and are ready for processing at anywhere from 6 - 8 weeks, depending on how big the final chicken is wanted. I like a chicken to be a decent size. Unfortunately these days, the fast food industry (read Fast Food Nation for a realy eye opener)dictates the size of commercial chickens which is why you don't see many large roasting chickens in the stores.

The chickens that we raise dress out at between 7 - 9 pounds. An experiment last year to try to raise some of these broilers ourselves led to really large birds. Because they are genetically bred to grow quickly, their cardiovascular systems are strained and they often die suddenly with heart attacks.

We tried keeping the adult birds for breeding. Two roosters and a dozen hens. The roosters seemed to fare well but the hens got stressed easily and didn't move around well, preferring to sit most of the day. They also died frequently til we were left with just 6 hens and the rooster. It was decided that they would go to the processer with the other regular broilers that we were sending. They were about 24 weeks old then. The roosters came back from the processor weighing 16 pounds each! They were like turkeys!!

I am still a wuss when it comes to parting company with the chickens. I go into their pens and say goodbye to them. The knowledge that they have lived a good life in clean, dry surroundings, with natural light, freedom of movement, activity, good food and clean water means that they have lived for a purpose. Initially I couldn't eat my own chickens, but now I've come to terms with the fact that they are what they are and serve a purpose.

I have worked more on the sketch started last night of Blizzard, the gosling, and myself in his favourite spot. He's a little too large to fit in there now even if he wanted to! The memories of it make me smile.

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Friday, May 26, 2006

Geese

In February this year, I became surrogate mother to a gosling who was named Blizzard as he/she hatched out in the midst of a severe blizzard. Unfortunately none of Blizzard's eggmates hatched, making him an orphan. What else could I do but adopt the little creature. I did learn the following from being a goose mother:

1. Geese don't make good indoor pets
2. Geese imprint strongly on their caregiver
3. Geese LOVE water baths in front of the fireplace
4. Geese love to snuggle.
5. Geese need paper towel diapers before they snuggle.
6. Geese are as demanding as a two year old.
7. Geese are very lovable as babies - not quite so when they grow up and assert themselves.

.I was looking through some photos of Blizzard and me tonight and decided to do a drawing of his favourite spot - snuggled under my fleece. He's go in there, snuggle down and go to sleep. Heat and dark does wonders for babies. This sketch is the start of a drawing

Blizzard, by the way, is now living with some friends and ducks and is thriving. He/she is a brown Chinese goose.


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Thursday, May 25, 2006

Fear and love


Fear and Love are two of the most basic and powerful human emotions. As they spread from person to person, they can inspire such extremes of behaviour as killing one another or dying for one another. Considering that the fundamental importance of love is so widely agreed upon, it is remarkable how many of us seem dedicated to promoting its opposite: fear.

"There is no fear in love: true love has no room for fear."

Fear is a natural response to danger that quickens the mind's efforts to anticipate and avoid potential peril or problems. However, stemming from the irrational part of the mind, it knows no logic and sometimes gets unhinged from its target. People whose lives have been filled with fear often continue to be afraid long after the potential danger has been removed, making up their own, irrational, reasons. Chronic fear is a debilitating state of mind that weakens body and soul, associated with heart conditions, nervous disorders, stress, depression and paranoia. This is especially dangerous when it affects the powerful, since it impacts the decision-making capabilities and distances people from the real consequences of their actions. Even worse, the natural result of fear is to act selfishly without regard for the wellbeing of others.

Love has many shades of meaning, but it is well understood as a selfless devotion to someone - a determination to do them right and to encourage and care for them. By focusing our attention away from dead matter such as money or material goods, onto the living beings on whom it rightly resides, love helps us to rediscover our humanity. Taking joy in relationships with others is a positive alternative to escapism, and it helps us overlook their failings, inspiring them to love us in return.

Art contains both love and fear in varying degrees and each artist feels both in creating and exposing her work to the eyes of others. Showing the creation from within lays heart and soul on the line and opens the artist to fear while they hope for love. The sketch here is even more so. A self portrait sketch that may or may not evolve into a drawing. The proportion isn't right, but the pose is interesting.

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Adjustments


About 18 months ago, I bought a horse - Kit. A big bay mare. A few months later another mare arrived to keep Kit company. Lady is a sorrel quarter horse. Horses are a lot of work, enjoyable, but time consuming and I am rarely at home. My husband isn't physically able to look after the horses effectively anymore so they are in the process of being sold.

Lady is on a two week probation with a local riding school. The owner is well versed in horses and Lady responded to her extremely well. This is the 2nd week of her trial, so I hope it works out for all of us.

That of course means Kit is on her own right now. She's adapted quite well to the single life again, but does have moments of crankiness and pacing. I'm sure she misses the equine company. I try to spend time with her and amuse her but I'm not quite the same as the four legged variety - unless I'm carrying goodies of course!

The problem is that I can't let Kit go until I'm sure Lady has a home. Lady is an alpha mare and was taken away from her foal abruptly. When she came to us, she adopted Kit as the substitute 'foal' and is not a happy camper AT ALL if Kit is out of sight. Kit on the other hand, doesn't give toss where Lady is most of the time. So I don't want to be in the situation where Lady comes back on her own. I think she would be a real handful then.

It will be odd not to have them around, but sometimes life does that to you and you have to accept it. As long as I know they have very good homes to go to, I will be content. I am as strict with potential buyers as if I were sending a child there and if I get even a hint of hesitation or the wrong answer about their stabling, feeding or treatment, then the person hasn't a chance in hell of getting the horse. I think I have a good intuitive sense of people and can see how they interact with the animals and the animals with them so I make my judgement from there.

Meanwhile, I'm working on a portrait of my eldest daughter. I'm deciding on composition right now and poses so have done a few sketches to see what works adn what doesn't. Here is a sample. Hopefully this weekend I'll made the final decision and start the portrait in earnest.



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Tuesday, May 23, 2006

Farm life


I wandered onto a farm blog this weekend and found it enchanting. Farmgirl Fare. Its not art related, but food related in origins. It gives a wonderful image of life on a working farm. I've found very few farm blogs but that's not surprising as full time farming demands long hours and leaves little time for sitting and writing.

My own farm is a small version hobby farm that ebbs and flows with animals, produce and ability from season to season. It was originally purchased to expand my growing (pardon the pun) medicinal herb collection. I trained as a Chartered Herbalist in late 1999 and obtained my diploma in January 2001 after a lot of studying. It was a challenge in later life to take on a course, especially while working. Each night was spent immersed in human anatomy, chanting the workings of the hepatic portal system or memorizing Latin names of herbs, their uses, and herbal formulas. The work paid off and I got 91 on the final exam. Not bad for an old person, as my daughter teased me.

I have about 60 varieties of medicinal and culinary herbs growing at the moment and finally have a small dryer that will help the process once harvesting is complete. This is elecampane which I grow from seed. It is a perennial and grows well in Newfoundland's climate. I use the root of this plant as the basis of a cough medicine. Another ingredient is mullein. This plant is biennial and can grow to 6 feet tall or more. The flowers and leaves are useful in coughs and make a great pain reliever in ear ache.

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Monday, May 22, 2006

Victoria Day



Its a holiday Monday in Canada celebrating Victoria Day. Whoever's birthday it is, I'll take the time off happily.

I have concentrated much of my efforts on drawing today losing track of time and what is going on around me. I looked up just now and realized it was 2:30 and I had been drawing since 8am.

Here are the fruits of my work. Not Queen Victoria, but I think the girl, Jen, has a similarity in some ways.



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Saturday, May 20, 2006

Artist's resources



I wandered across this site last night and it site provides hours of reading on watercolour paint production, colours, paper. The Hand Print site, by Bruce MacEvoy. Here's a sample regarding pigment history. I don't think I have any of this in my local art store...

I've left for dessert everyone's favorite, Egyptian mummy or caput mortuum (no CI name), a tarry brown pigment made from mummies excavated during the 18th to 19th centuries from ancient Egyptian communal tombs; these dried bodies had been embalmed with asphaltum (a petroleum residue) and resins. Pigment made by grinding up these carboniferous corpses was commonly available from the late 18th century up to 1925. (Winsor & Newton closely mimics this historical color in their caput mortuum violet.)

This information sent me wandering in search of other resource documents for artists.

Daniel Smith provides a basic guide to artist's pigments.

Art Studio Chalkboard is a resource for artists and art students that focus on the technical fundamentals of perspective, shading, color and painting. They were compiled and designed by Ralph Larmann, art faculty member in the University of Evansville Art Department.

Sue Dickinson's Painting Tips & Demonstrations -- Sue's watercolor tips are wonderful. If you are a beginner, do not miss her invaluable advice for buying watercolor materials!

Egg Tempera -- Lots of helpful information and links from The Society of Tempera Painters.

The Drawing Board for Illustrators -- Resources, links, articles, and a message board for illustrators from all fields.

Sketching Wild Birds -- A sample of lessons from Trevor Smith's book which covers sketching techniques, behaviour, anatomy, composition and much more.

Pencil Portrait Drawing -- The instruction is organized so you can choose the area of interest to you: Proportions, Features, Shading, etc.

Useful Paper Terms -- Daniel Smith explains the terms used to describe paper and its various characteristics.

Grid Method -- Teaches how to use the grid method to get an accurate sketch.

Tips & Tricks -- The Pastel Artists of Ontario Canada offer advice on pastel safety, keeping colours vibrant, exhibiting pastels, and more.

I've been on a roll with animal sketches this weekend. Here's another couple that I did this morning. Tomorrow, I must make a start on a portrait. Its a long weekend in Canada so I'll have time to get it drawn and hopefully transferred to Stonehenge.

On the farm some new geese arrived while I was away. These are Embden geese, big stocky birds with beautiful blue eyes. They are in a temporary pen now but will be moved out to the fields in the next week or so. They seem more placid than the Chinese brown geese that we currently have and much less noisy!



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Sketches

In an effort to get back into drawing again after a 10 day break, I decided to take part in a weekend drawing class to find inspiration and get into the swing of things again. The subject of the class was the zoo, and animals are right up my alley. The stars were in alignment as were the pen and brush.




Here are a couple of the sketches that came out of the exercise. Ringtailed lemurs and a grizzly bear. I won't go into the debate of the benefits and faults of zoos, but to say that I don't approve of them entirely, especially for displaying animals that are not endangered or for large animals housed in inadequate enclosures.

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Friday, May 19, 2006

Art news



My first copy of Artist's Magazine arrived this week. I have bought copies off and on over the last year but finally relented and bought a subscription. While browsing it I found a number of links to art news and sifting through their links has taken me most of the evening. These little side trips are always interesting but you do lose track of time while doing so.

My little friend 'Dover Cat' and I wandered the ether looking for new sites on art news and found quite a few. Dover Cat is the mascot of an aquatic facility in Ontario and a friend of mine runs the facility. He gave me 'Dover Cat' as part of a bet. Its turquoise, soft and fluffy and even as an adult I still admit to secret squeezes of its soft little body.

Art News Blog is a selection of visual art news, art reviews and art related stories online.

Arts Journal is a daily digest of arts, culture and ideas.

Paul Dorrell Blog
A blog by the novelist and gallery owner, and author of Living The Artist's Life - the seminal guidance book for artists. Each Friday he offers insights that are a result of years as an art gallery owner, writer, and promoter of artists. Subjects both practical and philosophical are delved into.

Working Artist's Journal is Anna L.Conti's blog.
I'm a painter. That's what I really care about. When I'm not actually making art, I like to experience it, look at it, talk about it. I'm especially interested in talking about art with artists and other people in the arts. So this is a place to record and share some of those exchanges.

Art Daily - the internet's first art newspaper.

Zeke's Gallery
Stuff Happening in the Montreal Art World and elsewhere.

CultureGrrl
Culural Commentary with Attitude: Lee Rosenbaum puts you behind the scenes, ahead of the news. Also writes for Wall Street Journal's Leisure & Arts page and the New York Times (including six Op-Ed pieces). "New must-read blog" by "one of the smartest voices out there."--Tyler Green, Modern Art Notes. "The most interesting new blogger to come along in ages."--Terry Teachout, About Last Night.

Angrypirate: an artist weblog is the work of Alanna Spence.

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Thursday, May 18, 2006

The Vitruvian Man


The Vitruvian Man is a famous drawing with accompanying notes by Leonardo da Vinci made around the year 1492 in one of his journals. It depicts a naked male figure in two superimposed positions with his arms and legs apart and simultaneously inscribed in a circle and square. The drawing and text are sometimes called the Canon of Proportions or, less often, Proportions of Man. It is on display in the Gallerie dell' Accademia in Venice, Italy. It can been seen as one of the first theories of measurements in life drawing.

Leonardo da Vinci's Vitruvian Man, an example of the blend of art and science during the Renaissance.This image provides the perfect example of Leonardo's keen interest in proportion. In addition, this picture represents a cornerstone of Leonardo's attempts to relate man to nature. Encyclopaedia Britannica online states, "Leonardo envisaged the great picture chart of the human body he had produced through his anatomical drawings and Vitruvian Man as a cosmografia del minor mondo (cosmography of the microcosm). He believed the workings of the human body to be an analogy for the workings of the universe." It is also believed by some that Leonardo Da Vinci symbolised the material existence by the square and spiritual existence by the circle. Thus he attempted to depict the correlation between these two aspects of human existence.

According to Leonardo's notes in the accompanying text, written in mirror writing, it was made as a study of the proportions of the (male) human body as described in a treatise by the Ancient Roman architect Vitruvius, who wrote that in the human body:

a palm is the width of four fingers
a foot is the width of four palms
a cubit is the width of six palms
a man's height is four cubits (and thus 24 palms)
a pace is four cubits
the length of a man's outspread arms is equal to his height
the distance from the hairline to the bottom of the chin is one-tenth of a man's height
the distance from the top of the head to the bottom of the chin is one-eighth of a man's height
the maximum width of the shoulders is a quarter of a man's height
the distance from the elbow to the tip of the hand is one-fifth of a man's height
the distance from the elbow to the armpit is one-eight of a man's height
the length of the hand is one-tenth of a man's height
the distance from the bottom of the chin to the nose is one-third of the length of the head
the distance from the hairline to the eyebrows is one-third of the length of the face
the length of the ear is one-third of the length of the face
Leonardo is clearly illustrating Vitruvius De Architectura 3.1.3 which reads:

The navel is naturally placed in the centre of the human body, and, if in a man lying with his face upward, and his hands and feet extended, from his navel as the centre, a circle be described, it will touch his fingers and toes. It is not alone by a circle, that the human body is thus circumscribed, as may be seen by placing it within a square. For measuring from the feet to the crown of the head, and then across the arms fully extended, we find the latter measure equal to the former; so that lines at right angles to each other, enclosing the figure, will form a square.

There is of course no such thing as a universal set of proportions for the human body. The field of anthropometry was created in order to describe these individual variations. Vitruvius' statements may be interpreted as statements about average proportions, or perhaps as descriptions of an ideal human form. Vitruvius goes through some trouble to give a precise mathematical definition of what he means by saying that the navel is the center of the body, but other definitions lead to different results; for example, the center of mass of the human body depends on the position of the limbs, and in a standing posture is typically about 10 cm lower than the navel, near the top of the hip bones
.

Life drawing uses measurement constantly to acheive proportion and likeness. Hints from Richard Hatton on figure drawings give the basics of measurement when drawing. Wet Canvas too, provides information on proportion when drawing from life.

Nancy Doyle provides good information on the mechanics of drawing in her site.

Finally, my own life drawing efforts. Not recent, but from my archives. I will find a life class this summer and get back into that stream which I miss. It really does provide wonderful experience and hones your drawing skills.



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Wednesday, May 17, 2006

Building takes time


I am still on a quest to rebuild my portfolio of animals - particularly dogs so that I can venture back into the commission business. It is slow going due to my lack of time that I am able to devote to it.

I have just provided my daughter with a drawing of her dog Jessie - a overly energetic labrador cross but a sweet dispositioned dog despite her energy level.

There seems to be a number of Labrador or Labrador-like dogs in my portfolio. I think the lines of them and other sleeker breeds are easier to draw. I find those little hairy beasts the most difficult with all that fur a challenge to find lines and form in. But I still try.

My goal this week will be to start another dog portrait to add to my collection (or hopefully someone elses). I have more than enough references and friends dogs to choose from...choosing and doing are two different things lately. Someone push me in the direction of my drawing board please.

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Tuesday, May 16, 2006

Artistic blocks


Everyone who has ever put pencil to paper has experienced a time when you try to draw and nothing transfers itself from brain to hand to paper. This is one of those times.

It could be for a number of reasons. I have been away and out of the routine of drawing. I have not felt well. Work and life pull at me and vie for my attention with work and life winning.

Tonight I sit with my moleskine open, trying to reach that space where my mind takes over and the rest of the world disappears, just creativity takes over. But it won't happen.

I've made marks, but they are childlike and don't seem like mine. There again, I fell asleep after supper, woke up and it took me a good five mimutes to figure out where I was. I'm sure that all that is happening in life right now takes its toll and impacts my ability to translate thoughts into images. I won't let it concern me. I know I ican do this. I know others expect me to do this. I want to do this. I will do this. Perhaps just not very well tonight. There is a cringe as I post this image as I know I can do much better. But each drawing has merit, good or bad and is something I can learn from. The challenge is if someone can see something recognizable out of the lines of tonight.

We all want perfection in what we do, but it is seldom acheived or only temporarily and that perfection is often the benchmark in our minds only; to others it is something entirely different. Expectations are often unfulfilled which is why I must learn to not rest my hopes on them. Yes, I expect certain things to unfold as I plan them, but often expectations are simply wishes, dreams and hopes that, in my head, never make it to the cutting room floor, where they belong or to remember to temper them with reality. I am the original dreamer with my heart and nerves on my sleeve. Reality is a harsh place to exist. I prefer the gentler world of dreams as do many artists. It is where creativity comes from. Perhaps that is why I am at a block. Reality has pushed into my life, shoving dreams to the side. I will be looking for those dreams tonight.

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Monday, May 15, 2006

Home again

I have been away from 10 days, business and pleasure - and in my case, illness - my own. About a week ago I developed a horrible cold. One of those that leaves you weak, aching, hot flashes & cold shivers, and it continues still. Of course this was because I decided to take a few days off. I always get sick when I take time off work. Its as if I provide my body with the formula for disaster - its called relaxation. And it doesn't like it apparently.

I had dreams of sitting in prairie fields, drawing the landscape, the machinery and the wildlife. But it wsn't to be. Instead I took photos, sneezed, took drugs, sneezed more, then wanted to go home and nap. The napping part never materialized as I was being entertainer an entertainee for my daughters, so time was spent socializing and exploring the world.

So now I am at home and the cold is slowly lessening its grip but I still feel crappy. That, combined with a 3.5 hour time difference and having an unexpected meeting today when I was hoping for a day off, leaves me feeling drained.

But life goes on. Memories of the landscape cling as do experiences and people, some stressful, some amazing, all unique and nonreturnable.

I will explore the photos that I took and do some drawing or painting then post once my mind/hand coordination is back to some semblance of normality. On arrivval home, I have to deal with horse sales as the two horses are being sold and buyers interested. Lady, the quarter horse, has gone for a two week trial and that looks promising. Kit is alone now and not too perturbed so far at Lady's absence, but won't be sold until it is certain that Lady will not return. That story of equine neurotics is for another day...

For now, here is an update of the persimmons that I started a few weeks back. They are nearing completion and I anticipate another 8 hours of work perhaps to finish them. They are done on Stonehenge paper 9 x 12 with Prismacolor pencils.

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Thursday, May 11, 2006

Open spaces



I have been in Saskatchewan for 5 days now and the landscape continues to amaze me. The cities are similar to most cities full of life and stores and people and cars, but outside the countryside is so unique. "Land of Living Skies' is the logo on license plates and it is true. The sky dominates the landscape as the earthscape is so flat.

With trepidation, I took my daughter's car on my own to explore. I am not good at directions or navigation and it still amazes me that I negotiated roads, cloverleafs and intersections without ending up in Winnipeg!

I stopped in a tiny rural town of Pense between Moose Jaw and Regina and had my first encounter with a grain elevator. These elevators are rapidly becoming a thing of the past as farming life is disappearing so the need for them dwindles too. Some are amazing structures with ancient timbers, others well kept and modern looking. The older ones appeal most as they have character. They pull me to explore them and photograph them and draw them. And I will, once time permits. For now, a photograph will have to do til I have enough time alone to sketch. The girls get fidgety if I linger too long and get out my sketchbook.



Tonight exploration was rural too - to Buffalo Pound Park and on the way found a small grain elevator abandoned along with other outbuildings in the middle of nowhere. We didn't get too far into the park or see the buffalo as light was fading and to be honest the atmosphere as we wandered down the path was eerie with dozens of half dead trees flanking us, rahter like a scene out of the enchanted forest. There were sightings of wildlife as a pair of whitetailed deer popped up in a field and a large flock of pelicans flew overhead, startling me, looking for all the world like some prehistoric gliders. I haven't seen pelicans fly high before and the sound of their wings against the air added to the feeling of creepiness. I know, I have a vivid imagination...

More adventures tomorrow as I borrow the car again and head towards Regina - or perhaps I'll go discover dinosaurs in the opposite direction!

Sunday, May 07, 2006

Work

I work for a non profit organization. Unless you have operated in that environment and become used to it, when viewed from outside eyes, it is unusual. Volunteers are the norm, paid staff the exceptions. And meetings tend to be held outside regular working hours to accomodate the volunteers. So Ii worked Friday night, allSaturday, all today and will finalize my meetings on Monday.

No, I don't get paid for overtime. Yes, I get time off in lieu, but rarely take it. Its one of the 'catch 22' situations. You have all this extra time building up but more work accumulates while you're gone so you never get around to taking the time off because more work accumulates in your time away....etc., etc.

Its a life I know and know well. Elements of it I hate and other parts I love. Stress is a high factor but offset with working with good hearted people who are in the organizaiton for the long term, so each meeting becomes like a big family reunion.

There are wars and words, successes and failures and disagreements, but in the end we all come together and make things work out as a group. And now, a little recreation - dinner at the casino then I'll see how my luck is holding up.

Saturday, May 06, 2006

Travelling

Airports and airplanes provide captive audiences for drawing adventures. I tentatively took out my Moleskine at 5:45am and began sketching people around me at the airport, waiting for a flight. The first,a group of people waiting for a flight; the second a rather round person dressed in what I can only describe as inappropriate clothing; the third, on a flight from Toronto to Regina.

I started work meetings tonight and will work tomorrow through Monday. After that its pleasure time with my daughters. A year is a while to catch up on.





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Thursday, May 04, 2006

Travelling


Tomorrow I will go to Regina, Saskatchewan for business meetings. Once meetings are over, I'll spend the best part of a week with my daughters, one of whom lives in Moose Jaw. My other daughter will travel from Calgary to be there as well and I look forward to seeing them both as its been a year since I was last there.

In that time, I rediscovered drawing again and am anticipating some freedom to take my Moleskine out into the flat prairie landscape.

Blogging may be irratic over the next 10 days, but I will try to be consistant or at least will have a very long post when I return!

TOnight has been spent scurrying around getting packed, remembering what I have to take, what I msut take and squeezing in things I think I need but probably don't. Soon its off to bed as I must get up at 4am. It will be a very long day tomorrow with travel and meetings and waits in airports. Drawing will keep me busy during the wait times.

Pen and ink appeals to me lately. Its not something I have done a lot of and I find it more forgiving than I thought it would be. This is an image from the Weekly Drawing Thread at Wet Canvas. The image is from a reference photo taken in South Africa. It makes me think of dry heat and that wonderful turquoise sea that looks so inviting. It is done in my Moleskine sketchbook 8 x 5 with pen & ink and Prismacolor pencils.

In Moleskinerie, you can find a link to some amazing photos from the Maldives by Ahmed Zahid. The initial image that compells you to see more is aptly named "Propelling under iridescence of the influential weather." The photos are exquisite. You'll be packing your bag and heading there once you see them. I want to go now...

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Wednesday, May 03, 2006

Making it worthwhile


On days like today when my job feels like crap and I hate every moment of it; when I feel like my life is going nowhere and my art not far behind it; when I feel old and fat and tired and not in the mood to write or draw, I stumble across a comment from someone on my blog or in an email that tells me they enjoy what I'm doing and it makes the effort worthwhile.

Days like today are a challenge. People and demands pull at me from all sides and trying to fit a large load of work into a small space in preparation of some time away always brings a level of stress that always catches me offguard with its intensity and how it affects me. It leaves me drained and uncomfortable and wishing that everything tiresome in my life would disappear, leaving me to just get on with the things that I enjoy doing.

Unfortunately life is never that simplistic as an adult. I have to show all sides of myself, from worker to mother to daughter and so on. Sometimes I think I'll grab the wrong hat and provide the wrong response to the wrong person. Who will be more surprised then?

I haven't had a chance to draw anything today. Well, that's a lie, I did add more layers to a coloured pencil drawing around 5am this morning. If the computer and camera decide to cooperate I may even have an update tomorrow.

Meanwhile I will show you an image that I completed earlier this year as part of a CP class I participated in. It was a learning experience and provided its own set of challenges in what proved to be an interesting image. The result came out more like a watercolour, soft colours giving the patina of age to the Venetian scene. I secretly call it "Mother in law Door'. For those people in your life that you kindly open the door for - oops wrong door. I can think of a couple of people who would appreciate such a door about now.


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Tuesday, May 02, 2006

Drawing from life


There are challenges associated with drawing from life, especially animals and children as they don't stay still for long enough to capture more than gestures or lines usually. So most portraits of either may be done with a combination of life and photographic aids.

As with all life drawing, it takes practice to become efficient at analysing and placing lines so that you quickly capture the movement and shape of the object. In life classes that I have participated in, we would start off with a number of very quick poses ranging from 10 seconds up to 30 seconds or a full minute, which seemed like forever after a 10 second pose! It really does teach you to see and commit to paper quickly even though there is some stress involved at the time.

The same technique works well with animals who are constantly moving. It is what I did with this drawing of my mother's cat. It was sitting on her deck in the late afternoon sun which came through the trees and slats of the railings. I started drawing the cat and had most of the basic shapes complete before she moved. I then finished the sketch from memory or imagination with the light shapes still remaining constant more or less.

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Monday, May 01, 2006

Illustration Friday


Ok, I'm late. Its not Friday,it is early Monday morning, but sometimes life takes over.

I can also be forgiven for plying a little artistic license in 'under the sea' to morph to 'under the water' as these fish are Koi carp, not a saltwater fish.

A final confession, the painting was done in 1985! Older than dirt, but it still hanges in my home, having crossed an ocean since its conception. Aha! I HAVE got some sea in there!

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Sunday, April 30, 2006

Rural life


There is a romantic view of rural life that is held mostly by people who don't live in the country. Its one of a bucolic setting, calm, quiet, with gentle animals from the film set of some Disney production.

Let me dispel a few myths. Yes, it can have elements of all of the above, but often it is laced with all the problems that go along with urban life, on a different scale.

Lets start with an essential - water. Simple, you just turn on a tap right? Well, yes, more or less. Our water is from a well. Beautiful, clean, sweet water. This is pumped electrically, so if there is a power interruption, there isn't any water. Then there is the fact that animals consume large amounts of water, especially horses and poultry, especially ducks and geese. In the late spring and summer its not a major problem as a hose can be run from the house to the barn, but winter brings a set of challenges - and builds muscle as you lug buckets of water from house to barn. Yes eventually a water source will be in the barn, for now - its summer ease or winter hauling.

Of course then there's the field. When there are crops in the field and its a dry spell in July or August, an irrigation system needs to be set up. In an acre field, you can't slip out with a watering or stand with a hose for hours. Also watering with a hose would severely put a strain on the house pump to the well. So its irrigation from the pond where water is fed from the pond at the edge of the property by a generator and pump through some 500 odd feet of pipeline to the fields and a form of sprinklers.

Perhaps rural life is one of the things that helped me decide on this sketch from the Weekend Drawing Event at Wet Canvas. Done in my Moleskine sketchbook 8 x 5 with with a Micron pen in black ink. Now, how much water would this bunch need....??

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Saturday, April 29, 2006

Works in progress


I have a number of drawings and paintings that I shall call 'works in progress' as they sit in varying unfinished states for an equally varying number of reasons. Working on images for a long period of time, I tend to lose concentration to a certain degree. Also with limited time, my ability to devote longer periods of time to an image changes,so I find myself doing it in 20 minute sessions or less at odd times of the day or night.

Then there are the beginnings of drawings that didn't go well, but are kept 'just in case'. Its like an archival drawer of mistakes that you cringe at everytime you see them, but still you don't throw them out in the belief that you can resurrect them into glory.

In my drawer of malcontents a couple show promise and I've pulled them out today and done a little work on them. Both in Prismacolor pencils on Stonehenge paper. Sometimes all we need is a break from them to prove that absence makes the heart grow fonder.

The first of three apples on a windowledge was started as a companion piece to a similar setting of tomatoes done a few months ago. The second is more recent and is persimmons on a pewter plate. The apple colour was too harsh for me and still is. I used process red which really isn't a colour I like much. It takes over and makes a drawing its own. The persimmons have promise and I need to work on evening out the tone and working on the other fruit and plate. I can see I have some work to do tomorrow.

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Friday, April 28, 2006

Quick fix inspiration


I stumbled across this site today through a link in Moleskinerie The Soul Food Cafè is a portal for artists and writers alike. It is a safe haven where creativity flourishes. Soul Food Cafè aims to promote creative pursuits as a daily practice. The site is quite literally overflowing with healthy and tasty morsels for every artist. It’s full of tips, techniques, references and encouragement.

The Artist's Loft is a jumping off point for creativity. Be sure to have a look at the Advent Calendars for the past years. Clever ideas for creativity for every day.

There is so much to see in this site, it could keep me going for months!

For those times when the thoughts or images won't come to you in your blog, visit the Creativity Portal and let the Imagination Prompt fill your head with new ideas.

Then there are places like Illustration Friday to urge you on to inspiration.

This Lab cross is one of the collection of dogs I have drawn in an effort to rebuild my portfolio. More to follow...

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Thursday, April 27, 2006

The passage of time


Years ago I drew religiously, daily, fitting it in at every point, going to life classes, being a life model. Then life happened and everything seemed to be in the way of creating. Days stretched into months, then years and more excuses came. No space, no time, kids, work, fatigue, etc. - all the usual. Well about 15 years passed before I picked up a pencil again last summer at the urging of a friend. Now I'm getting back into it and finding my stride again, becoming familiar with mediums and supports and seeing what is new in the art world.

This time, excuses are pushed away. This is something I want for me. I had forgotten how good it felt to escape into a drawing or painting and no notice what else happened in the world during my absence.

Animals or people always were my favourite things to draw or paint but I was out of practice, so I'm building my portfolio again to get into that contradiction of art - the commissioned work. Commissions are a necessary evil. You want them because it brings you exposure and finances. You hate them long term because they lock you into a set mode of art that you cannot break out of, but long to do. Yet, right now, commissions are what I want, so I'm building my portfolio and working on ways of marketing it locally.

I'm 'borrowing' dogs for photos. Drawing friends dogs. Redrawing my own dog that died in December, or drawing images that I find suitable. When the commissions come again, it will be a good thing.

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Wednesday, April 26, 2006

Seeking calm


It is only Wednesday and it feels as though a whole week or more has passed. Work and life in general has been a bear and I feel as if its taking me over some days. I want that place to retreat where there aren't demands or phones. I won't even go into the fiasco of yesterday with chasing loose horses through the woods and security alarms at home.

At an enforced break at work (I have decided to MAKE myself stop and concentrate on me) I found myself drawing what was in front of me. My office. That in itself is depressing enough, as even during some offtime, work still stays with me. I think in future for those breaks I will physically go somewhere else and do a little plein air.

The horses will go up for sale this weekend. It is hard to work and try to find time for them. As well, the mobility of their primary caregiver is limited and it is more difficult to maintain that level of care which they need. They've both grown a lot since they arrived more than a year ago. They've expanded upwards and outwards and their personalities became apparent. Kit, who I've sketched here, is the 4 year old, with the mentality of a 4 year old much of the time. Sometimes a 4 year old on a sugar rush! Lady, is the blonde bombshell, a sorrel quarter horse with an arrogance that can only be experienced. I will miss having them around, but know that they need more time devoted to them that I am not able to provide.

So if anyone wants to buy a horse...

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Tuesday, April 25, 2006

Anatomy for artists


A good life class can teach you more about anatomy than text books ever can, but its is useful to have a basic knowledge of musculature and bone structure to enable yout o see how the body is contructed. Years ago I religiously went to life classes under Tom Greenshields but haven't done so for a long time. I am currently searchin out some classes. The only ones I have found so far, run during the day and as I work, its impossible to attend.

I have a copy of Gray's Anatomy, well thumbed, as well as several other books on human anatomy. These were mine when I completed human anatomy for my herbalist certification and they've come in handy to revisit from time to time when I need to see how a part of the body fits or how a muscle is shaped.


Figure Drawing and Portraits
is a good place to get started on drawing the human figure and portraits. I was sent a link to Artnatomia which is an interactive program that looks at musculature of the face and how they move.

The Anatomy for Artists Seminar is a concentrated study of the human body for artists, not a Life Drawing course. I use a full-sized skeleton and hundreds of slides to show you every significant bone, muscle and form of the figure, and we take time to "draw notes" from the slides.

Basic Anatomy on Wet Canvas provides a good introduction to anatomy. Human Anatomy for Artists hosts a varity of human figures for reference.

There are hosts of books, videos and classes to help you explore and enjoy painting or drawing the human figure. Explore locally, regionally, globally and see what you come up with.

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Monday, April 24, 2006

Cream teas


This image reminds me of cream teas that I indulged in while living in Somerset. A friend's parents ran a dairy farm and offered the biggest cream teas you could possibly imagine. Nearly everything was made with ingredients grown on their farm. Lucious pale clotted cream that had a texture of soft butter; rich red strawberries glistening and sweet or homemade strawberry jam if the berries were out of season; light, flaky scones still warm from the oven, followed with lashings of steaming hot tea, dainty sandwiches and lots of conversation, all taken in the confines of their enclosed flower garden.

It always seemed a little amusing as these people were quite large and robust and they would also serve as well as make the cream teas, balancing china cups on trays filled with food, they would come and stand next to you while you ate and drank. Mostly it was general conversation as we knew them fairly well by then, but often they would simply stand or sit there, beaming, pleased to see people eating, drinking and enjoying their labours.

I miss them. And I miss their cream teas. This sketch was done in my Moleskine with pen & ink and watercolour.

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Sunday, April 23, 2006

Disasters


Today the sun has finally come out after a week of dismal weather. Grey cloud and cold damp weather does affect my mood without a doubt and the glimpse of the sun today helped a lot.

This has been a weekend of disaster. Once more a mink has gotten into the barn and played havoc with the chickens and ducks. Fifteen chickens were killed and all the ducks injured. We presumed that it was a small weasel or mink because the ducks weren't killed but all had been attacked from behind with varying degrees of injuries. One poor little Khaki Campbell male is in serious shape and may not recover. Luckily the mink didin't reach the pens with the goslings and ducklings, likely because the adult geese were nearby.


This image of of a mink that was trapped earlier this year. It measured about 24 inches long. The trap killed it instantly and I have to admire the animal for its shape and coat and ability to move. However, they are likely the most vicious, nasty creatures that I have come across. We discovered one in an outdoor duck pen last summer that had killed four ducks. Caught in the act, it stood defiantly, hissing at us, defending its kill. Horrible creatures.

After blocking off a hole that he must have come in from, the animal was trapped in the barn. Going into the barn a little later, it had just killed another hen then was disturbed and hid behind some crates. It was then shot.

This is the 3rd mink caught in the barn. We also have to contend with coyotes, foxes and hawks. It becomes disheartening to lose birds to these predators. And by now the initial venture of trying to build a stock of heritage birds has been all but abandoned as the expense and heartache of losing them to mink or others is not worth it.

Perhaps I need to get a big old mean barn cat...or ten.

To soothe my soul, I draw. This is a sketch of a Cornish Rex cat, though I haven't developed it enough to show the ruffled irregular fur that this breed has. I love the elegant, Egyptian look of these cats with almost sculpted features. I don't think this one will make a good barn cat somehow...

To top it off, one of the horses escaped the enclosure and went prancing around the garden, through flowerbeds, over grass and with the ground so soft at this time of year left craters everywhere she went. When I went out to stop her she knew she was in trouble and stood there, like a child caught in the act, head down, looking at me sideways. She reluctantly came when I called her but fought me everytime I tried to lead her with my hand on her halter. She's a big horse and still young and goofy at 4, which makes her a bit of a handful at times. Her escapade set off the other horse who was still inside the enclosure and she got caught up in some rope in the confusion. Just one of those weekends, I guess.

This photo is of the culprit, Kit, taken in the field while the snow was still down. She loves to roll in the snow like a dog. Now she likes to try to find mud to roll in. Sigh.

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Saturday, April 22, 2006

Beach huts


Its is a cold, wet, windy day here - a full week of RDF (rain, drizzle and fog) which always seems to herald spring at some point in April in Newfoundland. But today, I brought summer into my life.

I browsed through images in the Weekend Drawing Event at Wet Canvas and found a picture of some beach huts. I had forgotten completely about beach huts and how common they were on the coast in England. This image reminded me of hot summer days, salt sea breeze, sand in every nook and cranny, hot, tired children, hotter, more tired parents, ice cream, seaside stalls selling brightly coloured buckets and spades and inflatables. And beach huts.

Beach huts have moved upscale it seems. With celebrities snapping them up in select areas, a 12' x 12' beach hut can sell for 125,000 up to 160,000 pounds. More than the average house costs to purchase!

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Friday, April 21, 2006

Art in Newfoundland


Living on a island has benefits and drawbacks artistically. One of the challenges is searching out Newfoundland artists flung throughout the province in every nook and cranny who are creating the most beautiful art.

I have searched out a few blogs and links to art and artists in the province, both as a reference for myself and for those who may be on a similar search.

Gone to the Dogs was my first stop and provided more information that made my research easier. The next no brainer was to head to the Craft Council of Newfoundland and Labrador who act as a reference point for many of the craft and art movement across the province.

After a bit more digging around I found Newfoundland Blogroll, a collection of links to Newfoundland blogs of all types. I've browsed a few and picked out some of artists and some that just interested me.

Artistic Microphage
Painting the Surface
The Truth About Dogs in Black and White
Art in Newfoundland
The Association of Disaffiliated Artists
The Art of Scott Keeping
The Art of Dave Sheppard

A fine art program is taught at Sir Wilfred Grenfell College in Corner Brook on the west coast of the province.
The Pouch Cove Residency program Since 1990, has provided live/work space to visiting artists from around the world. Their program provides artists with a calendar month's residency either on the edge of the North Atlantic in Pouch Cove or overlooking the Bay of Islands in Corner Brook, Newfoundland, Canada.

Eastern Edge Gallery
St. Michael's Printshop
Gerry Squires, Artist, art activist and teacher, much of Squires' large body of work finds its inspiration in the landscape and culture of Newfoundland.
Christopher Pratt
Mary Pratt, one of my favourite artists

I'll end here, but I know this list will branch out to a much longer list as the artist community in the province is prospering and this is very much just the tip of the iceberg.

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Catching up


I've been absent for a couple of days in posting. I always feel a little cheated when days are missed when I read other people's blog. Its rather like having missing pages in a book.

Work and meetings have taken my full attention and have taken me away from drawing too. So I'm playing catch up today and through the weekend.

I did have time on Wednesday night to finish a sketch from Mending the Nets by Winslow Homer. I started with a pencil sketch then moved on to watercolour and some ink later. I'm not completely pleased with it because the faces are more ghoulish than those of young women, and also I cropped the image. I think I will redo it in full and see what comes out of it. I love watercolour but am certainly no master of it. When it does work it is indeed a 'happy accident'.

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Tuesday, April 18, 2006

It's here


At last my Moleskine sketchbook has arrived! I have searched endlessly to find one within Canada with little luck. I finally tracked one down on Ebay of all places and had it shipped from California. It has a story to tell before its even been opened.

Canada's inability to keep up with my needs is frustrating sometimes! I did find some Moleskines in Newfoundland but the store didn't have the sketchbooks and the price was about 50% more than I paid for the book I bought on Ebay.

So it is here and I sit and look at it and touch it and am almost scared to make a mark in it. I want every page filled with perfection. Why? I really don't know. But I do and that means giving some thought to what I put inside. I have lots of sketchbooks filled with all sorts of trivia, good and bad and I like to be able to riffle through them from time to time and see what I did and why and how.

I will finish a final drawing before I start in virgin Moleskine. It is an imaage I started as a line drawing and then completed in ink and coloured pencil.

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Monday, April 17, 2006

Looking to the past


We seem to measure so many things by what has happened in the past, from music to clothing, to art. The masters of the craft are the teachers of technique and form and colour. I love to explore museums filled with old paintings and be amazed each time at how they were crafted in a time before cameras could freeze a moment in time and let you finish it in your studio.

Art Renewal Centre is one of my favourite sites to explore fine art. Reproducing master paintings or drawings is something many like to do for pleasure and to learn. Most reproductions are based on museum pieces and often completed in situ. For those concerned about forgery, the work of copyists is not forgery. For one thing, art enters the public domain if the artist has been dead for more than 75 years. For another, the work of a copyist must be at least one-fifth larger or smaller than the original work. Copyists who work in museums also receive an official museum stamp on the back of their canvases that certifies the work as a copy. Moreover, a forger would have to take great pains to make a copy that is indistinguishable from an original. He would have to paint on authentic old canvas, stretch the canvas on an authentic old frame and use authentic paint from the era to fool the experts. A different profession altogether! This site will provide further details into the art of copying a master painting.

This week the weekly drawing thread is based on a master painting. It can reproduced as a graphite drawing or further pushed into a painting. Mending the Nets, by Winslow Homer. Homer (1836 - 1910) was an American landscape, marine and genre painter. He was born in Boston, where he worked as a lithographer and illustrator. In 1861 he was sent to the Civil War battlefront as correspondent, his work winning international acclaim. After the war, he worked as both a painter and illustrator. In 1876, Homer abandoned illustration altogether to devote himself to painting. His chief inspirations were the American rural scene and the sea. His paintings are in leading museums throughout the United States.

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